Steven Smith revised this gist . Go to revision
2 files changed, 116 insertions, 1 deletion
aaList.md
| @@ -3,4 +3,5 @@ Filelist | |||
| 3 | 3 | ||
| 4 | 4 | * [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt) | |
| 5 | 5 | * [Quickie - Mad Max Fury Road](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-mad-max-fury-road-srt) | |
| 6 | - | * [Cat Grips](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-cat-grips-srt) | |
| 6 | + | * [Cat Grips](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-cat-grips-srt) | |
| 7 | + | * [Saw Review, NotProductive Update](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-saw-review-notproductive-update-srt) | |
saw-review-notproductive-update.srt(file created)
| @@ -0,0 +1,114 @@ | |||
| 1 | + | 1 | |
| 2 | + | 00:00:00,190 --> 00:00:03,760 | |
| 3 | + | [YMS] Hey guys, some of you may have already | |
| 4 | + | noticed NotProductive is postponed until November | |
| 5 | + | ||
| 6 | + | 2 | |
| 7 | + | 00:00:03,760 --> 00:00:07,859 | |
| 8 | + | 10th, however I said my review would be available | |
| 9 | + | for you guys to watch on November 2nd, so | |
| 10 | + | ||
| 11 | + | 3 | |
| 12 | + | 00:00:07,859 --> 00:00:12,009 | |
| 13 | + | what am I doing? I'm saying fuck the release | |
| 14 | + | date, you guys can watch the review on November | |
| 15 | + | ||
| 16 | + | 4 | |
| 17 | + | 00:00:12,009 --> 00:00:17,610 | |
| 18 | + | 2nd anyway because I fucking care. So click | |
| 19 | + | the link down below, click the link on my | |
| 20 | + | ||
| 21 | + | 5 | |
| 22 | + | 00:00:17,610 --> 00:00:21,720 | |
| 23 | + | face, click the link wherever you want. Spread | |
| 24 | + | the word, share it if you like it, yada yada. | |
| 25 | + | ||
| 26 | + | 6 | |
| 27 | + | 00:00:21,720 --> 00:00:25,900 | |
| 28 | + | And believe me, I know some of you have your | |
| 29 | + | reservations about me being on the whole | |
| 30 | + | ||
| 31 | + | 7 | |
| 32 | + | 00:00:25,900 --> 00:00:30,260 | |
| 33 | + | NotProductive site to begin with, and some of you think | |
| 34 | + | it's doomed to fail, and if it does fail so | |
| 35 | + | ||
| 36 | + | 8 | |
| 37 | + | 00:00:30,260 --> 00:00:34,199 | |
| 38 | + | what, I'll still be making reviews. The upside | |
| 39 | + | to me being on the site is that I'll try to | |
| 40 | + | ||
| 41 | + | 9 | |
| 42 | + | 00:00:34,199 --> 00:00:38,769 | |
| 43 | + | be having a more consistant schedule by doing | |
| 44 | + | it biweekly, so in two weeks time from now | |
| 45 | + | ||
| 46 | + | 10 | |
| 47 | + | 00:00:38,769 --> 00:00:44,699 | |
| 48 | + | part 2 will be available on NotProductive | |
| 49 | + | and *Skype alert sound* part 1 will be available | |
| 50 | + | ||
| 51 | + | 11 | |
| 52 | + | 00:00:44,699 --> 00:00:48,149 | |
| 53 | + | on Youtube. That was my Skype, not yours, | |
| 54 | + | don't even check. So if you guys like the | |
| 55 | + | ||
| 56 | + | 12 | |
| 57 | + | 00:00:48,149 --> 00:00:52,260 | |
| 58 | + | idea of me releasing frequent content and | |
| 59 | + | if you like the idea of me being able to put | |
| 60 | + | ||
| 61 | + | 13 | |
| 62 | + | 00:00:52,260 --> 00:00:56,870 | |
| 63 | + | more time towards my content, and hopefully, | |
| 64 | + | y'know, run some ads on it through Blip TV | |
| 65 | + | ||
| 66 | + | 14 | |
| 67 | + | 00:00:56,870 --> 00:01:01,620 | |
| 68 | + | because Youtube won't let me (thanks Youtube,) | |
| 69 | + | then try your darndest to make this successful, | |
| 70 | + | ||
| 71 | + | 15 | |
| 72 | + | 00:01:01,620 --> 00:01:05,390 | |
| 73 | + | if only for me, and if you don't like anything | |
| 74 | + | else on the site then just watch my videos | |
| 75 | + | ||
| 76 | + | 16 | |
| 77 | + | 00:01:05,390 --> 00:01:08,400 | |
| 78 | + | there. But I do encourage you to check out | |
| 79 | + | some of the other content creators on the | |
| 80 | + | ||
| 81 | + | 17 | |
| 82 | + | 00:01:08,400 --> 00:01:12,300 | |
| 83 | + | website once it's up, maybe you'll like something. | |
| 84 | + | Remember, if you're helping this website then | |
| 85 | + | ||
| 86 | + | 18 | |
| 87 | + | 00:01:12,300 --> 00:01:17,550 | |
| 88 | + | you're helping me. If it is a success, then | |
| 89 | + | maybe I can put a dent in these fucking hospital | |
| 90 | + | ||
| 91 | + | 19 | |
| 92 | + | 00:01:17,550 --> 00:01:21,190 | |
| 93 | + | bills that turned out to be much more expensive | |
| 94 | + | than I originally thought. | |
| 95 | + | ||
| 96 | + | 20 | |
| 97 | + | 00:01:21,190 --> 00:01:24,330 | |
| 98 | + | (sarcastic) USA! USA! | |
| 99 | + | (normal) Anyway, I love you guys, thank you | |
| 100 | + | ||
| 101 | + | 21 | |
| 102 | + | 00:01:24,330 --> 00:01:28,000 | |
| 103 | + | for being so patient with me on this, I've | |
| 104 | + | been having to be patient too, and I hope | |
| 105 | + | ||
| 106 | + | 22 | |
| 107 | + | 00:01:28,000 --> 00:01:33,060 | |
| 108 | + | you enjoy part 1 of this almost an hour long | |
| 109 | + | review, it took me a very long time to make | |
| 110 | + | ||
| 111 | + | 23 | |
| 112 | + | 00:01:33,060 --> 00:01:34,039 | |
| 113 | + | and I hope you like it. | |
| 114 | + | ||
Steven Smith revised this gist . Go to revision
2 files changed, 57 insertions, 1 deletion
aaList.md
| @@ -2,4 +2,5 @@ Filelist | |||
| 2 | 2 | ======== | |
| 3 | 3 | ||
| 4 | 4 | * [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt) | |
| 5 | - | * [Quickie - Mad Max Fury Road](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-mad-max-fury-road-srt) | |
| 5 | + | * [Quickie - Mad Max Fury Road](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-mad-max-fury-road-srt) | |
| 6 | + | * [Cat Grips](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-cat-grips-srt) | |
cat-grips.srt(file created)
| @@ -0,0 +1,55 @@ | |||
| 1 | + | 1 | |
| 2 | + | 00:00:01,410 --> 00:00:07,750 | |
| 3 | + | [Cool Cat] Wow! Look at this cool urban feel! | |
| 4 | + | This is how I wanna start my music video! | |
| 5 | + | ||
| 6 | + | 2 | |
| 7 | + | 00:00:10,320 --> 00:00:15,280 | |
| 8 | + | [Death Grips] To get all of the above in a | |
| 9 | + | limited amount of time, I can do this and | |
| 10 | + | ||
| 11 | + | 3 | |
| 12 | + | 00:00:15,280 --> 00:00:21,040 | |
| 13 | + | it's done, Like that we're on our way, Be | |
| 14 | + | it acid on the tongue, Cocaine in your brain, | |
| 15 | + | ||
| 16 | + | 4 | |
| 17 | + | 00:00:21,040 --> 00:00:28,320 | |
| 18 | + | Or some weed that hits your lungs, Like a | |
| 19 | + | runaway train, Hell yeah, from DMT to MDMA, | |
| 20 | + | ||
| 21 | + | 5 | |
| 22 | + | 00:00:28,320 --> 00:00:32,800 | |
| 23 | + | Got all that shit and more, So 'til dawn we're | |
| 24 | + | okay, but anyway | |
| 25 | + | ||
| 26 | + | 6 | |
| 27 | + | 00:00:32,800 --> 00:00:40,480 | |
| 28 | + | [Cool Cat] Wow! That was fun! I hope the kids | |
| 29 | + | love it! | |
| 30 | + | ||
| 31 | + | 7 | |
| 32 | + | 00:00:40,480 --> 00:00:44,239 | |
| 33 | + | [Mama Cat] I bet the kids will boogee to that | |
| 34 | + | song! | |
| 35 | + | ||
| 36 | + | 8 | |
| 37 | + | 00:00:44,240 --> 00:00:48,160 | |
| 38 | + | [Derek] Hey, it was cool, Cool Cat. | |
| 39 | + | [Cool Cat] I didn't know you guys were standing | |
| 40 | + | ||
| 41 | + | 9 | |
| 42 | + | 00:00:48,160 --> 00:00:53,180 | |
| 43 | + | there! And thanks! *laughs* | |
| 44 | + | [Mama Cat] And you'd better get ready, Cool | |
| 45 | + | ||
| 46 | + | 10 | |
| 47 | + | 00:00:53,180 --> 00:00:58,540 | |
| 48 | + | Cat, it's almost time for the Hollywood Parade! | |
| 49 | + | [Cool Cat] That's right! It is time to pick | |
| 50 | + | ||
| 51 | + | 11 | |
| 52 | + | 00:00:58,560 --> 00:01:07,280 | |
| 53 | + | up the Cool Cat convertible! Yeeeyyeyeyeeeeyay! | |
| 54 | + | [Derek] Have fun, son, all right! | |
| 55 | + | ||
Steven Smith revised this gist . Go to revision
No changes
Steven Smith revised this gist . Go to revision
No changes
Steven Smith revised this gist . Go to revision
2 files changed, 419 insertions, 1 deletion
aaList.md
| @@ -1,4 +1,5 @@ | |||
| 1 | 1 | Filelist | |
| 2 | 2 | ======== | |
| 3 | 3 | ||
| 4 | - | * [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt) | |
| 4 | + | * [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt) | |
| 5 | + | * [Quickie - Mad Max Fury Road](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-mad-max-fury-road-srt) | |
quickie-mad-max-fury-road.srt(file created)
| @@ -0,0 +1,417 @@ | |||
| 1 | + | 1 | |
| 2 | + | 00:00:00,789 --> 00:00:04,910 | |
| 3 | + | [YMS] So I just saw Mad Max: Fury Road and | |
| 4 | + | it was a lot of fun. If I were rating this | |
| 5 | + | ||
| 6 | + | 2 | |
| 7 | + | 00:00:04,910 --> 00:00:09,090 | |
| 8 | + | movie based on how much fun I had I'd be giving | |
| 9 | + | it a nine out of ten. But alas, I rate movies | |
| 10 | + | ||
| 11 | + | 3 | |
| 12 | + | 00:00:09,090 --> 00:00:12,889 | |
| 13 | + | based on what I feel the quality of the film | |
| 14 | + | is, so no I'm not docking points because I | |
| 15 | + | ||
| 16 | + | 4 | |
| 17 | + | 00:00:12,889 --> 00:00:16,880 | |
| 18 | + | had fun watching it, I just genuinely feel | |
| 19 | + | as though the movie's a fun seven out of ten. | |
| 20 | + | ||
| 21 | + | 5 | |
| 22 | + | 00:00:16,880 --> 00:00:20,700 | |
| 23 | + | There were a lot of aspects of the film that | |
| 24 | + | were genuinely impressive, the cinematography | |
| 25 | + | ||
| 26 | + | 6 | |
| 27 | + | 00:00:20,700 --> 00:00:25,480 | |
| 28 | + | was pretty great, the computer generated imagery | |
| 29 | + | was used sparingly, there were some parts | |
| 30 | + | ||
| 31 | + | 7 | |
| 32 | + | 00:00:25,480 --> 00:00:29,320 | |
| 33 | + | that didn't feel visually quite real but for | |
| 34 | + | the most part it wasn't enough to take anybody | |
| 35 | + | ||
| 36 | + | 8 | |
| 37 | + | 00:00:29,320 --> 00:00:33,720 | |
| 38 | + | out of the movie, and most of all it was just | |
| 39 | + | fucking fun! It was like if Death Race 3 wasn't | |
| 40 | + | ||
| 41 | + | 9 | |
| 42 | + | 00:00:33,720 --> 00:00:36,880 | |
| 43 | + | a massive piece of shit. I'm not going to | |
| 44 | + | complain that there wasn't really much to | |
| 45 | + | ||
| 46 | + | 10 | |
| 47 | + | 00:00:36,880 --> 00:00:40,840 | |
| 48 | + | the story, because anybody can tell that the | |
| 49 | + | movie wasn't really trying to be heavily story | |
| 50 | + | ||
| 51 | + | 11 | |
| 52 | + | 00:00:40,840 --> 00:00:45,110 | |
| 53 | + | driven. In all honesty if a movie is going | |
| 54 | + | for the cool and fun factor I'd rather have | |
| 55 | + | ||
| 56 | + | 12 | |
| 57 | + | 00:00:45,110 --> 00:00:48,620 | |
| 58 | + | it be like this one where it doesn't spend | |
| 59 | + | an eternity dicking around in between the | |
| 60 | + | ||
| 61 | + | 13 | |
| 62 | + | 00:00:48,620 --> 00:00:53,120 | |
| 63 | + | cool and fun scenes. In Mad Max: Fury Road | |
| 64 | + | the story was just enough so that the cool | |
| 65 | + | ||
| 66 | + | 14 | |
| 67 | + | 00:00:53,120 --> 00:00:57,810 | |
| 68 | + | and fun scenes didn't feel stupid and pointless. | |
| 69 | + | I like how over-the-top and ridiculous it | |
| 70 | + | ||
| 71 | + | 15 | |
| 72 | + | 00:00:57,810 --> 00:01:01,530 | |
| 73 | + | was and I wouldn't want the movie to be any | |
| 74 | + | other way. In fact I hope the next movie goes | |
| 75 | + | ||
| 76 | + | 16 | |
| 77 | + | 00:01:01,530 --> 00:01:05,500 | |
| 78 | + | even further. Believe it or not I was reminded | |
| 79 | + | of Army of Darkness during the fight scene | |
| 80 | + | ||
| 81 | + | 17 | |
| 82 | + | 00:01:05,500 --> 00:01:08,780 | |
| 83 | + | with the chain and the struggle for the gun. | |
| 84 | + | There are a few things that irked me about | |
| 85 | + | ||
| 86 | + | 18 | |
| 87 | + | 00:01:08,780 --> 00:01:12,120 | |
| 88 | + | the presentation of the movie but they were | |
| 89 | + | fairly minimal. There were a few of those | |
| 90 | + | ||
| 91 | + | 19 | |
| 92 | + | 00:01:12,120 --> 00:01:15,900 | |
| 93 | + | family flashback hallucination shots that | |
| 94 | + | were a little cheesy, and yeah I know we're | |
| 95 | + | ||
| 96 | + | 20 | |
| 97 | + | 00:01:15,900 --> 00:01:18,790 | |
| 98 | + | talking about the same movie where there's | |
| 99 | + | a dude on top of the car playing electric | |
| 100 | + | ||
| 101 | + | 21 | |
| 102 | + | 00:01:18,790 --> 00:01:22,620 | |
| 103 | + | guitar riding to his fucking death, but I | |
| 104 | + | think it's important to differentiate between | |
| 105 | + | ||
| 106 | + | 22 | |
| 107 | + | 00:01:22,620 --> 00:01:26,520 | |
| 108 | + | cheese during something fun and cool, and | |
| 109 | + | cheese during something that's supposed to | |
| 110 | + | ||
| 111 | + | 23 | |
| 112 | + | 00:01:26,520 --> 00:01:30,310 | |
| 113 | + | be dramatic and serious; as someone that does | |
| 114 | + | a lot of editing there were a few things that | |
| 115 | + | ||
| 116 | + | 24 | |
| 117 | + | 00:01:30,310 --> 00:01:33,979 | |
| 118 | + | were distracting and took me out of the film | |
| 119 | + | for a bit. When slow footage is sped up to | |
| 120 | + | ||
| 121 | + | 25 | |
| 122 | + | 00:01:33,979 --> 00:01:38,409 | |
| 123 | + | make it look fast some people just see slow | |
| 124 | + | footage sped up to make it look fast. Trust | |
| 125 | + | ||
| 126 | + | 26 | |
| 127 | + | 00:01:38,409 --> 00:01:42,610 | |
| 128 | + | me it happens more times in this movie than | |
| 129 | + | you think. During some of the dialogue, characters | |
| 130 | + | ||
| 131 | + | 27 | |
| 132 | + | 00:01:42,610 --> 00:01:46,630 | |
| 133 | + | were basically whispering to each other, but | |
| 134 | + | they're inside a giant moving vehicle, and | |
| 135 | + | ||
| 136 | + | 28 | |
| 137 | + | 00:01:46,630 --> 00:01:50,500 | |
| 138 | + | there's no shortage of earblasting engine | |
| 139 | + | sounds during scenes where we see the exterior | |
| 140 | + | ||
| 141 | + | 29 | |
| 142 | + | 00:01:50,500 --> 00:01:54,310 | |
| 143 | + | of the vehicles, but during the serious talk | |
| 144 | + | time in the vehicles the volume of the engine | |
| 145 | + | ||
| 146 | + | 30 | |
| 147 | + | 00:01:54,310 --> 00:01:57,970 | |
| 148 | + | is turned down so low in post that literally | |
| 149 | + | that's all I can think about anymore: | |
| 150 | + | ||
| 151 | + | 31 | |
| 152 | + | 00:01:57,970 --> 00:02:03,049 | |
| 153 | + | [Clip] I was born there. | |
| 154 | + | [Clip] Why'd you leave? | |
| 155 | + | ||
| 156 | + | 32 | |
| 157 | + | 00:02:03,049 --> 00:02:15,680 | |
| 158 | + | [Clip] I didn't. I was taken as a child. Stolen. | |
| 159 | + | [YMS] It doesn't destroy the movie, all I'm | |
| 160 | + | ||
| 161 | + | 33 | |
| 162 | + | 00:02:15,680 --> 00:02:20,069 | |
| 163 | + | saying is that when something's in the environment | |
| 164 | + | that's so unironically unnatural, it is a | |
| 165 | + | ||
| 166 | + | 34 | |
| 167 | + | 00:02:20,069 --> 00:02:23,799 | |
| 168 | + | little distracting. And keeping consistant | |
| 169 | + | with what I said earlier, remember that these | |
| 170 | + | ||
| 171 | + | 35 | |
| 172 | + | 00:02:23,799 --> 00:02:28,169 | |
| 173 | + | serious talk scenes are supposed to be serious, | |
| 174 | + | meaning that distractions like those wouldn't | |
| 175 | + | ||
| 176 | + | 36 | |
| 177 | + | 00:02:28,169 --> 00:02:32,480 | |
| 178 | + | be as much of an issue if they were during | |
| 179 | + | the cool and fun scenes. I had the exact same | |
| 180 | + | ||
| 181 | + | 37 | |
| 182 | + | 00:02:32,480 --> 00:02:36,260 | |
| 183 | + | issue in any movie where the characters are | |
| 184 | + | in a supposedly loud club but they don't have | |
| 185 | + | ||
| 186 | + | 38 | |
| 187 | + | 00:02:36,260 --> 00:02:40,129 | |
| 188 | + | to talk over the music. The worst example | |
| 189 | + | I can think of would be from an indie movie | |
| 190 | + | ||
| 191 | + | 39 | |
| 192 | + | 00:02:40,129 --> 00:02:43,729 | |
| 193 | + | called A Midsummer Night's Rave: | |
| 194 | + | [Clip] I know how thirsty aspiring DJ's can | |
| 195 | + | ||
| 196 | + | 40 | |
| 197 | + | 00:02:43,760 --> 00:02:52,760 | |
| 198 | + | get. | |
| 199 | + | [Clip] Thank you [inaudible] | |
| 200 | + | ||
| 201 | + | 41 | |
| 202 | + | 00:02:54,660 --> 00:02:58,359 | |
| 203 | + | [YMS] The best example I could think of would | |
| 204 | + | be from David Fincher's The Social Network: | |
| 205 | + | ||
| 206 | + | 42 | |
| 207 | + | 00:02:58,359 --> 00:03:00,169 | |
| 208 | + | [Clip] You ever think about that girl? | |
| 209 | + | [Clip] What girl? | |
| 210 | + | ||
| 211 | + | 43 | |
| 212 | + | 00:03:00,169 --> 00:03:05,480 | |
| 213 | + | [Clip] The girl from high school who was with | |
| 214 | + | the lacrosse thing. | |
| 215 | + | ||
| 216 | + | 44 | |
| 217 | + | 00:03:05,480 --> 00:03:08,749 | |
| 218 | + | [Clip] No. | |
| 219 | + | [YMS] When a director has that much forethought to | |
| 220 | + | ||
| 221 | + | 45 | |
| 222 | + | 00:03:08,749 --> 00:03:14,109 | |
| 223 | + | get the actors to shout in a silent room before the audio | |
| 224 | + | is added in in post production, it impresses | |
| 225 | + | ||
| 226 | + | 46 | |
| 227 | + | 00:03:14,109 --> 00:03:18,069 | |
| 228 | + | me enough to be giving the movie extra points. | |
| 229 | + | And remember that a perfect ten rating is | |
| 230 | + | ||
| 231 | + | 47 | |
| 232 | + | 00:03:18,069 --> 00:03:22,400 | |
| 233 | + | not a default that only goes lower if you | |
| 234 | + | find issues with the movie, a default rating | |
| 235 | + | ||
| 236 | + | 48 | |
| 237 | + | 00:03:22,400 --> 00:03:26,849 | |
| 238 | + | for me is five out of ten and then any achievements | |
| 239 | + | that a film has to offer bring it higher. | |
| 240 | + | ||
| 241 | + | 49 | |
| 242 | + | 00:03:26,849 --> 00:03:30,609 | |
| 243 | + | And I've gotta say I was impressed by what | |
| 244 | + | the film had to offer. Having seen the first | |
| 245 | + | ||
| 246 | + | 50 | |
| 247 | + | 00:03:30,609 --> 00:03:35,510 | |
| 248 | + | two Mad Max a long time ago, this one was | |
| 249 | + | a lot more entertaining. If there's one thing | |
| 250 | + | ||
| 251 | + | 51 | |
| 252 | + | 00:03:35,510 --> 00:03:39,519 | |
| 253 | + | I remember about those older ones, it's that | |
| 254 | + | they had a much slower pace. That and the | |
| 255 | + | ||
| 256 | + | 52 | |
| 257 | + | 00:03:39,519 --> 00:03:44,430 | |
| 258 | + | villains were comically homosexual. Should | |
| 259 | + | society get enraged over the sexual orientation | |
| 260 | + | ||
| 261 | + | 53 | |
| 262 | + | 00:03:44,430 --> 00:03:48,970 | |
| 263 | + | or gender of the villains or heroes? No. I | |
| 264 | + | honestly wish I could have watched Mad Max: | |
| 265 | + | ||
| 266 | + | 54 | |
| 267 | + | 00:03:48,980 --> 00:03:53,370 | |
| 268 | + | Fury Road without all of those clickbait websites | |
| 269 | + | making a big fuss over the character's genders, | |
| 270 | + | ||
| 271 | + | 55 | |
| 272 | + | 00:03:53,370 --> 00:03:57,109 | |
| 273 | + | because to me this movie had nothing to do | |
| 274 | + | with gender issues at all. You could have | |
| 275 | + | ||
| 276 | + | 56 | |
| 277 | + | 00:03:57,109 --> 00:04:00,969 | |
| 278 | + | swapped the genders of literally every character | |
| 279 | + | except the pregnant one and I wouldn't have | |
| 280 | + | ||
| 281 | + | 57 | |
| 282 | + | 00:04:00,969 --> 00:04:05,319 | |
| 283 | + | felt any different about the movie. Having | |
| 284 | + | a specific gender or sexual orientation being | |
| 285 | + | ||
| 286 | + | 58 | |
| 287 | + | 00:04:05,319 --> 00:04:09,109 | |
| 288 | + | portrayed in a positive or negative light | |
| 289 | + | in a film might affect me more if it was, | |
| 290 | + | ||
| 291 | + | 59 | |
| 292 | + | 00:04:09,109 --> 00:04:13,719 | |
| 293 | + | hm, I don't know, not set in a post-apocalyptic | |
| 294 | + | fantasy world where everyone including the | |
| 295 | + | ||
| 296 | + | 60 | |
| 297 | + | 00:04:13,719 --> 00:04:18,500 | |
| 298 | + | main character has lost their fucking minds? | |
| 299 | + | A group of men or a group of women or a group | |
| 300 | + | ||
| 301 | + | 61 | |
| 302 | + | 00:04:18,500 --> 00:04:22,820 | |
| 303 | + | of gay people should not be taken as an accurate | |
| 304 | + | reflection of society. They're just these | |
| 305 | + | ||
| 306 | + | 62 | |
| 307 | + | 00:04:22,820 --> 00:04:27,330 | |
| 308 | + | things called "characters", and while it is | |
| 309 | + | possible that George Miller wrote this screenplay | |
| 310 | + | ||
| 311 | + | 63 | |
| 312 | + | 00:04:27,330 --> 00:04:31,730 | |
| 313 | + | with the explicit intent of painting certain | |
| 314 | + | genders in certain lights, at no point did | |
| 315 | + | ||
| 316 | + | 64 | |
| 317 | + | 00:04:31,730 --> 00:04:35,690 | |
| 318 | + | it feel forced and out of place. Why don't | |
| 319 | + | we just view people as human beings again? | |
| 320 | + | ||
| 321 | + | 65 | |
| 322 | + | 00:04:35,690 --> 00:04:39,280 | |
| 323 | + | Oh right, it's because anger sells and the | |
| 324 | + | one way to get everybody arguing at each other | |
| 325 | + | ||
| 326 | + | 66 | |
| 327 | + | 00:04:39,280 --> 00:04:43,530 | |
| 328 | + | over something is to turn it into a gender | |
| 329 | + | issue, I forgot. And yes the clickbait websites | |
| 330 | + | ||
| 331 | + | 67 | |
| 332 | + | 00:04:43,530 --> 00:04:47,430 | |
| 333 | + | are just as guilty as the idiot they were | |
| 334 | + | quoting, who by the way never actually saw | |
| 335 | + | ||
| 336 | + | 68 | |
| 337 | + | 00:04:47,430 --> 00:04:51,650 | |
| 338 | + | the movie before writing it. You realise you | |
| 339 | + | can find people saying stupid shit about anything | |
| 340 | + | ||
| 341 | + | 69 | |
| 342 | + | 00:04:51,650 --> 00:04:55,340 | |
| 343 | + | on the Internet, and that by putting them | |
| 344 | + | on a pedestal you're essentially generating | |
| 345 | + | ||
| 346 | + | 70 | |
| 347 | + | 00:04:55,340 --> 00:04:59,410 | |
| 348 | + | the controversy yourselves? Doesn't matter, | |
| 349 | + | money. Gender debates are the new big thing | |
| 350 | + | ||
| 351 | + | 71 | |
| 352 | + | 00:04:59,410 --> 00:05:02,970 | |
| 353 | + | right now, so we'll jump on literally any | |
| 354 | + | opportunity to get you fired up about them | |
| 355 | + | ||
| 356 | + | 72 | |
| 357 | + | 00:05:02,970 --> 00:05:06,990 | |
| 358 | + | so you'll share the link and give us money. | |
| 359 | + | When I have criticisms to make about a film, | |
| 360 | + | ||
| 361 | + | 73 | |
| 362 | + | 00:05:06,990 --> 00:05:11,650 | |
| 363 | + | I try to keep my criticisms in line with filmmaking | |
| 364 | + | and presentation. Have we forgotten how to | |
| 365 | + | ||
| 366 | + | 74 | |
| 367 | + | 00:05:11,650 --> 00:05:15,400 | |
| 368 | + | do that? Anyway, forgive me for making that | |
| 369 | + | last part of my review moreso a review on | |
| 370 | + | ||
| 371 | + | 75 | |
| 372 | + | 00:05:15,400 --> 00:05:19,690 | |
| 373 | + | other peoples' reviews; overall I really liked | |
| 374 | + | Mad Max. I think that seven out of ten is | |
| 375 | + | ||
| 376 | + | 76 | |
| 377 | + | 00:05:19,690 --> 00:05:23,670 | |
| 378 | + | a reasonable rating to give it. Who knows, | |
| 379 | + | I might even bump it up to an eight the next | |
| 380 | + | ||
| 381 | + | 77 | |
| 382 | + | 00:05:23,670 --> 00:05:27,320 | |
| 383 | + | time I see it. If you watched the trailer | |
| 384 | + | and think that looks like a lot of fun, then you'll | |
| 385 | + | ||
| 386 | + | 78 | |
| 387 | + | 00:05:27,320 --> 00:05:31,630 | |
| 388 | + | probably have a lot of fun. It was a lot of | |
| 389 | + | fun. It was like an amusement park ride. It | |
| 390 | + | ||
| 391 | + | 79 | |
| 392 | + | 00:05:31,630 --> 00:05:37,460 | |
| 393 | + | was like riding the fun coaster in fun land. | |
| 394 | + | It was a hot fun sundae. Fun fun, fun fun | |
| 395 | + | ||
| 396 | + | 80 | |
| 397 | + | 00:05:37,460 --> 00:05:44,670 | |
| 398 | + | fun fun fun. It was fun. Mad Max: Fun Road: | |
| 399 | + | fun out of ten. Fun fun fun, fun fun! Fun | |
| 400 | + | ||
| 401 | + | 81 | |
| 402 | + | 00:05:44,670 --> 00:05:51,710 | |
| 403 | + | fun fun fun fun. Fun! Fun! Fun! Fun! Fun! | |
| 404 | + | Fun! Fun! Fun! Fun! | |
| 405 | + | ||
| 406 | + | 82 | |
| 407 | + | 00:05:51,710 --> 00:05:59,230 | |
| 408 | + | Subtitles by Steven Smith (blha303/suudo) | |
| 409 | + | ||
| 410 | + | 83 | |
| 411 | + | 00:06:06,080 --> 00:06:08,000 | |
| 412 | + | mark ;_; | |
| 413 | + | ||
| 414 | + | 84 | |
| 415 | + | 00:06:08,000 --> 00:06:08,500 | |
| 416 | + | wtf laugh | |
| 417 | + | ||
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| 1 | + | Filelist | |
| 2 | + | ======== | |
| 3 | + | ||
| 4 | + | * [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt) | |
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| 1 | + | 1 | |
| 2 | + | 00:00:00,789 --> 00:00:04,170 | |
| 3 | + | [YMS] Okay, fun's over. So if you're one of those | |
| 4 | + | people like me who saw the trailer and thought | |
| 5 | + | ||
| 6 | + | 2 | |
| 7 | + | 00:00:04,170 --> 00:00:07,500 | |
| 8 | + | "Hm, that's weird, it kinda looks like a piece | |
| 9 | + | of shit" but still wanted to see the movie | |
| 10 | + | ||
| 11 | + | 3 | |
| 12 | + | 00:00:07,500 --> 00:00:11,280 | |
| 13 | + | just because it's Darren Aronofsky, all the | |
| 14 | + | while hoping the trailer was just a way to | |
| 15 | + | ||
| 16 | + | 4 | |
| 17 | + | 00:00:11,280 --> 00:00:14,589 | |
| 18 | + | trick the religious crowd into seeing the | |
| 19 | + | movie, and that secretly there was a movie | |
| 20 | + | ||
| 21 | + | 5 | |
| 22 | + | 00:00:14,589 --> 00:00:18,149 | |
| 23 | + | worth watching that wasn't the same garbage | |
| 24 | + | you've already seen a million times before, | |
| 25 | + | ||
| 26 | + | 6 | |
| 27 | + | 00:00:18,149 --> 00:00:21,970 | |
| 28 | + | well, wonder no more because the movie was | |
| 29 | + | slightly worse than the trailer. I mean, you're | |
| 30 | + | ||
| 31 | + | 7 | |
| 32 | + | 00:00:21,970 --> 00:00:25,980 | |
| 33 | + | already working with a flawed story to begin | |
| 34 | + | with; what happened to the kangaroos? Where | |
| 35 | + | ||
| 36 | + | 8 | |
| 37 | + | 00:00:25,980 --> 00:00:30,660 | |
| 38 | + | do black people come from? And despite them | |
| 39 | + | making a lot of changes to the original story, | |
| 40 | + | ||
| 41 | + | 9 | |
| 42 | + | 00:00:30,660 --> 00:00:35,120 | |
| 43 | + | it didn't really do them any good. Like, why | |
| 44 | + | is the grandfather a wizard? Anthony Hopkins | |
| 45 | + | ||
| 46 | + | 10 | |
| 47 | + | 00:00:35,120 --> 00:00:38,960 | |
| 48 | + | had magical powers and I had first assumed | |
| 49 | + | that they were kinda like God powers, like | |
| 50 | + | ||
| 51 | + | 11 | |
| 52 | + | 00:00:38,960 --> 00:00:43,290 | |
| 53 | + | God loves him so much that every time he really | |
| 54 | + | wants to do something God's just allowing | |
| 55 | + | ||
| 56 | + | 12 | |
| 57 | + | 00:00:43,290 --> 00:00:46,740 | |
| 58 | + | it and just doing a little magic trick for | |
| 59 | + | him. At one point he puts a child to sleep | |
| 60 | + | ||
| 61 | + | 13 | |
| 62 | + | 00:00:46,740 --> 00:00:51,070 | |
| 63 | + | by blowing on his face, possibly the funniest | |
| 64 | + | point in the whole movie, then later he touches | |
| 65 | + | ||
| 66 | + | 14 | |
| 67 | + | 00:00:51,070 --> 00:00:55,670 | |
| 68 | + | Emma Watson's previously infertile belly, | |
| 69 | + | making her instantly able to have children | |
| 70 | + | ||
| 71 | + | 15 | |
| 72 | + | 00:00:55,670 --> 00:00:59,430 | |
| 73 | + | and also extremely horny. Like she was in | |
| 74 | + | the middle of looking for somebody but she | |
| 75 | + | ||
| 76 | + | 16 | |
| 77 | + | 00:00:59,430 --> 00:01:03,350 | |
| 78 | + | completely fucking dropped that and decided | |
| 79 | + | to have sex with her boyfriend, and then later | |
| 80 | + | ||
| 81 | + | 17 | |
| 82 | + | 00:01:03,350 --> 00:01:08,080 | |
| 83 | + | in the movie when Noah finds out he gets super | |
| 84 | + | fucking pissed. No, not because they had sex, | |
| 85 | + | ||
| 86 | + | 18 | |
| 87 | + | 00:01:08,080 --> 00:01:12,970 | |
| 88 | + | but because she is no longer infertile. He's | |
| 89 | + | like "God made you infertile, so now that | |
| 90 | + | ||
| 91 | + | 19 | |
| 92 | + | 00:01:12,970 --> 00:01:16,530 | |
| 93 | + | you're fertile, then you're going against | |
| 94 | + | God." I don't really feel bad about spoiling | |
| 95 | + | ||
| 96 | + | 20 | |
| 97 | + | 00:01:16,530 --> 00:01:20,400 | |
| 98 | + | this movie cos it's a giant piece of shit, | |
| 99 | + | but here's my spoiler alert anyway. Giving | |
| 100 | + | ||
| 101 | + | 21 | |
| 102 | + | 00:01:20,400 --> 00:01:25,360 | |
| 103 | + | you like two more seconds, go, God. He gets | |
| 104 | + | so pissed off that she's having children that | |
| 105 | + | ||
| 106 | + | 22 | |
| 107 | + | 00:01:25,360 --> 00:01:30,240 | |
| 108 | + | he vows to murder the child as soon as it's | |
| 109 | + | born, but only if it's a girl, and they really | |
| 110 | + | ||
| 111 | + | 23 | |
| 112 | + | 00:01:30,240 --> 00:01:34,380 | |
| 113 | + | really did not do a good job of explaining | |
| 114 | + | why that's the case. "You're going against | |
| 115 | + | ||
| 116 | + | 24 | |
| 117 | + | 00:01:34,380 --> 00:01:38,750 | |
| 118 | + | God by having children because you were previously | |
| 119 | + | infertile, now I gotta murder your child, | |
| 120 | + | ||
| 121 | + | 25 | |
| 122 | + | 00:01:38,750 --> 00:01:42,380 | |
| 123 | + | but if it's a boy I don't really care." So | |
| 124 | + | does that mean the grandfather's a wizard | |
| 125 | + | ||
| 126 | + | 26 | |
| 127 | + | 00:01:42,380 --> 00:01:46,280 | |
| 128 | + | whose magic operates completely independent | |
| 129 | + | of God? Because there's no way that he could | |
| 130 | + | ||
| 131 | + | 27 | |
| 132 | + | 00:01:46,280 --> 00:01:50,290 | |
| 133 | + | possibly believe that it was against God's | |
| 134 | + | will if God was the one doing the magic from | |
| 135 | + | ||
| 136 | + | 28 | |
| 137 | + | 00:01:50,290 --> 00:01:55,220 | |
| 138 | + | grandfather anyway. This movie does not make | |
| 139 | + | any fucking sense. There were a couple things | |
| 140 | + | ||
| 141 | + | 29 | |
| 142 | + | 00:01:55,220 --> 00:01:59,630 | |
| 143 | + | that I did enjoy about the movie. There are | |
| 144 | + | some really cool timelapse scenes that I enjoyed, | |
| 145 | + | ||
| 146 | + | 30 | |
| 147 | + | 00:01:59,630 --> 00:02:03,560 | |
| 148 | + | and during one of them Clint Mansell did a | |
| 149 | + | fantastic job with the score, but this movie | |
| 150 | + | ||
| 151 | + | 31 | |
| 152 | + | 00:02:03,560 --> 00:02:08,030 | |
| 153 | + | has way too much weighing it down. Like, during | |
| 154 | + | the last timelapse scene in the movie for | |
| 155 | + | ||
| 156 | + | 32 | |
| 157 | + | 00:02:08,030 --> 00:02:13,049 | |
| 158 | + | whatever reason it decided to show evolution, | |
| 159 | + | like it showed the typical fish-to-lizard-out-of-the-ocean | |
| 160 | + | ||
| 161 | + | 33 | |
| 162 | + | 00:02:13,049 --> 00:02:16,450 | |
| 163 | + | etcetera, and then as soon as it hit primates | |
| 164 | + | it just stopped. Like, sorry we're not allowed | |
| 165 | + | ||
| 166 | + | 34 | |
| 167 | + | 00:02:16,450 --> 00:02:20,749 | |
| 168 | + | to show you any further. And that scene served | |
| 169 | + | no purpose so I have no clue why he decided | |
| 170 | + | ||
| 171 | + | 35 | |
| 172 | + | 00:02:20,749 --> 00:02:24,499 | |
| 173 | + | to put that in the movie, because aren't you | |
| 174 | + | then alienating the people that might actually | |
| 175 | + | ||
| 176 | + | 36 | |
| 177 | + | 00:02:24,499 --> 00:02:29,239 | |
| 178 | + | enjoy the movie? Like who the fuck is this | |
| 179 | + | movie even for? They also included giant rock | |
| 180 | + | ||
| 181 | + | 37 | |
| 182 | + | 00:02:29,239 --> 00:02:33,719 | |
| 183 | + | creatures that helped Noah build the ark. | |
| 184 | + | Oookay. Most of the conflict in the movie | |
| 185 | + | ||
| 186 | + | 38 | |
| 187 | + | 00:02:33,719 --> 00:02:38,459 | |
| 188 | + | was not only extremely forced but easily preventable. | |
| 189 | + | Like all of a sudden somebody's angry and | |
| 190 | + | ||
| 191 | + | 39 | |
| 192 | + | 00:02:38,459 --> 00:02:42,419 | |
| 193 | + | it's really difficult to understand why. Not | |
| 194 | + | only that but the threat of the main villain | |
| 195 | + | ||
| 196 | + | 40 | |
| 197 | + | 00:02:42,419 --> 00:02:47,150 | |
| 198 | + | and his army wouldn't even fucking exist if | |
| 199 | + | Noah flat-out just didn't fucking tell him | |
| 200 | + | ||
| 201 | + | 41 | |
| 202 | + | 00:02:47,150 --> 00:02:50,799 | |
| 203 | + | that the flood was going to happen. The guy | |
| 204 | + | thought you were building a fortress and you | |
| 205 | + | ||
| 206 | + | 42 | |
| 207 | + | 00:02:50,799 --> 00:02:54,639 | |
| 208 | + | told him "No, it's a boat, this is the flood | |
| 209 | + | and I'm gonna be the one that lives and not | |
| 210 | + | ||
| 211 | + | 43 | |
| 212 | + | 00:02:54,639 --> 00:02:58,049 | |
| 213 | + | you, nyah nyah." Hey Noah you fucking hypocrite, | |
| 214 | + | what's that you're flipping your shit over, | |
| 215 | + | ||
| 216 | + | 44 | |
| 217 | + | 00:02:58,049 --> 00:03:02,199 | |
| 218 | + | doing shit against God's will, oh my god, | |
| 219 | + | God didn't intend that. So Emma Watson's not | |
| 220 | + | ||
| 221 | + | 45 | |
| 222 | + | 00:03:02,199 --> 00:03:06,239 | |
| 223 | + | allowed to use the grandfather wizard powers | |
| 224 | + | so she can become fertile and have children, | |
| 225 | + | ||
| 226 | + | 46 | |
| 227 | + | 00:03:06,239 --> 00:03:09,489 | |
| 228 | + | and maybe y'know repopulate the entire fucking | |
| 229 | + | planet through incest like you're supposed | |
| 230 | + | ||
| 231 | + | 47 | |
| 232 | + | 00:03:09,489 --> 00:03:12,760 | |
| 233 | + | to, but you see no issue with warning the | |
| 234 | + | head honcho of bad guys that there's going | |
| 235 | + | ||
| 236 | + | 48 | |
| 237 | + | 00:03:12,760 --> 00:03:16,939 | |
| 238 | + | to be a fucking great flood? Did God tell you to do | |
| 239 | + | that? Cos God had the opportunity to tell | |
| 240 | + | ||
| 241 | + | 49 | |
| 242 | + | 00:03:16,939 --> 00:03:20,779 | |
| 243 | + | him too and you know what, he fucking didn't. | |
| 244 | + | How the fuck did the bad guy get in the ship? | |
| 245 | + | ||
| 246 | + | 50 | |
| 247 | + | 00:03:20,779 --> 00:03:24,439 | |
| 248 | + | Like there was just a quick shot of him falling | |
| 249 | + | into it but I don't know where the fuck that | |
| 250 | + | ||
| 251 | + | 51 | |
| 252 | + | 00:03:24,439 --> 00:03:29,219 | |
| 253 | + | was. So you've got Mr Stereotype Bad Guy on | |
| 254 | + | the ship and Noah's son helps him survive, | |
| 255 | + | ||
| 256 | + | 52 | |
| 257 | + | 00:03:29,219 --> 00:03:32,730 | |
| 258 | + | and they're still on the ship about nine months | |
| 259 | + | later, because Emma Watson winds up giving | |
| 260 | + | ||
| 261 | + | 53 | |
| 262 | + | 00:03:32,730 --> 00:03:36,839 | |
| 263 | + | birth on the ship before the end of it, and | |
| 264 | + | holy shit she does not act like the baby weighs | |
| 265 | + | ||
| 266 | + | 54 | |
| 267 | + | 00:03:36,839 --> 00:03:40,629 | |
| 268 | + | anything at all. Seriously it's like she had | |
| 269 | + | a fucking balloon under her shirt. So the | |
| 270 | + | ||
| 271 | + | 55 | |
| 272 | + | 00:03:40,629 --> 00:03:45,199 | |
| 273 | + | bad guy picks a really convenient day to strike, | |
| 274 | + | they have a shitty close shot fight scene, | |
| 275 | + | ||
| 276 | + | 56 | |
| 277 | + | 00:03:45,199 --> 00:03:49,120 | |
| 278 | + | and this whole time this guy's like "I'm not | |
| 279 | + | afraid of miracles, haha, fuck you God," like | |
| 280 | + | ||
| 281 | + | 57 | |
| 282 | + | 00:03:49,120 --> 00:03:53,189 | |
| 283 | + | clearly this guy does not understand how miracles | |
| 284 | + | work; and wow, the boat conveniently crashes | |
| 285 | + | ||
| 286 | + | 58 | |
| 287 | + | 00:03:53,189 --> 00:03:57,489 | |
| 288 | + | in a way that turns out to be in Noah's favour. | |
| 289 | + | Thanks for the miracle, God. I mean it would | |
| 290 | + | ||
| 291 | + | 59 | |
| 292 | + | 00:03:57,489 --> 00:04:01,180 | |
| 293 | + | have been extremely easy for him to die when | |
| 294 | + | he was climbing into the boat in the first | |
| 295 | + | ||
| 296 | + | 60 | |
| 297 | + | 00:04:01,180 --> 00:04:05,040 | |
| 298 | + | place, but let's just pretend that this God | |
| 299 | + | character not only rigs the outcome, but is | |
| 300 | + | ||
| 301 | + | 61 | |
| 302 | + | 00:04:05,040 --> 00:04:10,219 | |
| 303 | + | also extremely concerned about making a stereotypical | |
| 304 | + | narrative. Like why would I kill him when | |
| 305 | + | ||
| 306 | + | 62 | |
| 307 | + | 00:04:10,219 --> 00:04:13,919 | |
| 308 | + | it makes the most sense if they don't get | |
| 309 | + | to have a fight scene by the end of it? There | |
| 310 | + | ||
| 311 | + | 63 | |
| 312 | + | 00:04:13,919 --> 00:04:17,920 | |
| 313 | + | was nothing exceptional about this movie and | |
| 314 | + | quite a lot of it was pretty fucking bad. | |
| 315 | + | ||
| 316 | + | 64 | |
| 317 | + | 00:04:17,920 --> 00:04:22,110 | |
| 318 | + | Like holy shit those font choices were terrible. | |
| 319 | + | It's like if someone did a low-budget parody | |
| 320 | + | ||
| 321 | + | 65 | |
| 322 | + | 00:04:22,110 --> 00:04:26,710 | |
| 323 | + | of Lord of the Rings. All of the CG was pretty | |
| 324 | + | fucking unconvincing; like yeah obviously | |
| 325 | + | ||
| 326 | + | 66 | |
| 327 | + | 00:04:26,710 --> 00:04:30,650 | |
| 328 | + | all of the animals are going to be CG, but | |
| 329 | + | why did you feel the need to computer animate | |
| 330 | + | ||
| 331 | + | 67 | |
| 332 | + | 00:04:30,650 --> 00:04:35,010 | |
| 333 | + | the fucking baby? "Oh no, I feel so scared | |
| 334 | + | for this computer animated baby right now." | |
| 335 | + | ||
| 336 | + | 68 | |
| 337 | + | 00:04:35,010 --> 00:04:38,230 | |
| 338 | + | Literally he goes up to her to kill it and | |
| 339 | + | then he's like "Changed my mind, it's cute." | |
| 340 | + | ||
| 341 | + | 69 | |
| 342 | + | 00:04:38,230 --> 00:04:42,090 | |
| 343 | + | And then later Emma Watson's talking about | |
| 344 | + | it nonchalantly like "You know what, God trusted | |
| 345 | + | ||
| 346 | + | 70 | |
| 347 | + | 00:04:42,090 --> 00:04:46,350 | |
| 348 | + | you with the choice to do it, and it wasn't | |
| 349 | + | something that he expected you to do, he just | |
| 350 | + | ||
| 351 | + | 71 | |
| 352 | + | 00:04:46,350 --> 00:04:49,470 | |
| 353 | + | wanted you to make the choice." Well that's | |
| 354 | + | a nice way to put it, maybe you should have | |
| 355 | + | ||
| 356 | + | 72 | |
| 357 | + | 00:04:49,470 --> 00:04:53,560 | |
| 358 | + | had this conversation with him at some point | |
| 359 | + | in the nine fucking months before your child | |
| 360 | + | ||
| 361 | + | 73 | |
| 362 | + | 00:04:53,560 --> 00:04:57,610 | |
| 363 | + | was born. And there's a scene near the beginning | |
| 364 | + | when Noah's talking to the rock dude, it keeps | |
| 365 | + | ||
| 366 | + | 74 | |
| 367 | + | 00:04:57,610 --> 00:05:01,340 | |
| 368 | + | cutting back and forth from the rock dude's | |
| 369 | + | face to Noah's, but every time it cuts back | |
| 370 | + | ||
| 371 | + | 75 | |
| 372 | + | 00:05:01,340 --> 00:05:05,650 | |
| 373 | + | to Noah it's closer to his face, but instead | |
| 374 | + | of putting the camera closer or even using | |
| 375 | + | ||
| 376 | + | 76 | |
| 377 | + | 00:05:05,650 --> 00:05:09,830 | |
| 378 | + | the zoom on the lens, they decided to go the | |
| 379 | + | easy way and just use fucking digital post | |
| 380 | + | ||
| 381 | + | 77 | |
| 382 | + | 00:05:09,830 --> 00:05:13,590 | |
| 383 | + | production zoom. Like they seriously fucking | |
| 384 | + | cropped it. And each time it cuts back to | |
| 385 | + | ||
| 386 | + | 78 | |
| 387 | + | 00:05:13,590 --> 00:05:17,500 | |
| 388 | + | his face you see more and more pixels. Like | |
| 389 | + | what the fuck, aren't you supposed to be a | |
| 390 | + | ||
| 391 | + | 79 | |
| 392 | + | 00:05:17,500 --> 00:05:21,130 | |
| 393 | + | professional? Well it was at least exciting | |
| 394 | + | to see the outcome of what this movie would | |
| 395 | + | ||
| 396 | + | 80 | |
| 397 | + | 00:05:21,130 --> 00:05:24,860 | |
| 398 | + | be, but about five minutes into the movie | |
| 399 | + | when I was absolutely sure, all of a sudden | |
| 400 | + | ||
| 401 | + | 81 | |
| 402 | + | 00:05:24,860 --> 00:05:29,370 | |
| 403 | + | the idea of finishing the movie seemed like | |
| 404 | + | kind of a chore, and a chore it was. Yes, | |
| 405 | + | ||
| 406 | + | 82 | |
| 407 | + | 00:05:29,370 --> 00:05:33,130 | |
| 408 | + | parts of the movie were so bad that they were | |
| 409 | + | hilarious, Anthony Hopkins putting that kid | |
| 410 | + | ||
| 411 | + | 83 | |
| 412 | + | 00:05:33,130 --> 00:05:36,860 | |
| 413 | + | to sleep by blowing on his face will be funny | |
| 414 | + | to me for quite some time, but it's just not | |
| 415 | + | ||
| 416 | + | 84 | |
| 417 | + | 00:05:36,860 --> 00:05:40,580 | |
| 418 | + | worth it to sit through the whole movie just | |
| 419 | + | to laugh at a couple points. The majority | |
| 420 | + | ||
| 421 | + | 85 | |
| 422 | + | 00:05:40,580 --> 00:05:43,670 | |
| 423 | + | of the dialogue could have been replaced by | |
| 424 | + | random gibberish and it would have had just | |
| 425 | + | ||
| 426 | + | 86 | |
| 427 | + | 00:05:43,670 --> 00:05:47,970 | |
| 428 | + | as much purpose in the film. For whatever | |
| 429 | + | reason Aronofsky just decided to make a really | |
| 430 | + | ||
| 431 | + | 87 | |
| 432 | + | 00:05:47,970 --> 00:05:52,070 | |
| 433 | + | shitty movie, and sadly it's probably going | |
| 434 | + | to be his most financially successful movie | |
| 435 | + | ||
| 436 | + | 88 | |
| 437 | + | 00:05:52,070 --> 00:05:55,800 | |
| 438 | + | yet. Anyway, if you trust me on anything, | |
| 439 | + | trust me when I say you do not need to see | |
| 440 | + | ||
| 441 | + | 89 | |
| 442 | + | 00:05:55,800 --> 00:05:58,420 | |
| 443 | + | this movie. This one's getting a five out | |
| 444 | + | of ten. | |
| 445 | + | ||
| 446 | + | 90 | |
| 447 | + | 00:05:58,420 --> 00:06:13,340 | |
| 448 | + | Subtitles by Steven Smith (blha303/suudo) | |
| 449 | + | ||