aaList.md
                        
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            Filelist
========
* [Quickie - Noah](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-noah-srt)
* [Quickie - Mad Max Fury Road](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-quickie-mad-max-fury-road-srt)
* [Cat Grips](https://gist.github.com/blha303/483d5d344cf2e4876c01#file-cat-grips-srt)
                
                    
                        
                        cat-grips.srt
                        
                             · 1.2 KiB · Text
                        
                    
                    
                      
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            1
00:00:01,410 --> 00:00:07,750
[Cool Cat] Wow! Look at this cool urban feel!
This is how I wanna start my music video!
2
00:00:10,320 --> 00:00:15,280
[Death Grips] To get all of the above in a
limited amount of time, I can do this and
3
00:00:15,280 --> 00:00:21,040
it's done, Like that we're on our way, Be
it acid on the tongue, Cocaine in your brain,
4
00:00:21,040 --> 00:00:28,320
Or some weed that hits your lungs, Like a
runaway train, Hell yeah, from DMT to MDMA,
5
00:00:28,320 --> 00:00:32,800
Got all that shit and more, So 'til dawn we're
okay, but anyway
6
00:00:32,800 --> 00:00:40,480
[Cool Cat] Wow! That was fun! I hope the kids
love it!
7
00:00:40,480 --> 00:00:44,239
[Mama Cat] I bet the kids will boogee to that
song!
8
00:00:44,240 --> 00:00:48,160
[Derek] Hey, it was cool, Cool Cat.
[Cool Cat] I didn't know you guys were standing
9
00:00:48,160 --> 00:00:53,180
there! And thanks! *laughs*
[Mama Cat] And you'd better get ready, Cool
10
00:00:53,180 --> 00:00:58,540
Cat, it's almost time for the Hollywood Parade!
[Cool Cat] That's right! It is time to pick
11
00:00:58,560 --> 00:01:07,280
up the Cool Cat convertible! Yeeeyyeyeyeeeeyay!
[Derek] Have fun, son, all right!
                | 1 | 1 | 
| 2 | 00:00:01,410 --> 00:00:07,750 | 
| 3 | [Cool Cat] Wow! Look at this cool urban feel! | 
| 4 | This is how I wanna start my music video! | 
| 5 | |
| 6 | 2 | 
| 7 | 00:00:10,320 --> 00:00:15,280 | 
| 8 | [Death Grips] To get all of the above in a | 
| 9 | limited amount of time, I can do this and | 
| 10 | |
| 11 | 3 | 
| 12 | 00:00:15,280 --> 00:00:21,040 | 
| 13 | it's done, Like that we're on our way, Be | 
| 14 | it acid on the tongue, Cocaine in your brain, | 
| 15 | |
| 16 | 4 | 
| 17 | 00:00:21,040 --> 00:00:28,320 | 
| 18 | Or some weed that hits your lungs, Like a | 
| 19 | runaway train, Hell yeah, from DMT to MDMA, | 
| 20 | |
| 21 | 5 | 
| 22 | 00:00:28,320 --> 00:00:32,800 | 
| 23 | Got all that shit and more, So 'til dawn we're | 
| 24 | okay, but anyway | 
| 25 | |
| 26 | 6 | 
| 27 | 00:00:32,800 --> 00:00:40,480 | 
| 28 | [Cool Cat] Wow! That was fun! I hope the kids | 
| 29 | love it! | 
| 30 | |
| 31 | 7 | 
| 32 | 00:00:40,480 --> 00:00:44,239 | 
| 33 | [Mama Cat] I bet the kids will boogee to that | 
| 34 | song! | 
| 35 | |
| 36 | 8 | 
| 37 | 00:00:44,240 --> 00:00:48,160 | 
| 38 | [Derek] Hey, it was cool, Cool Cat. | 
| 39 | [Cool Cat] I didn't know you guys were standing | 
| 40 | |
| 41 | 9 | 
| 42 | 00:00:48,160 --> 00:00:53,180 | 
| 43 | there! And thanks! *laughs* | 
| 44 | [Mama Cat] And you'd better get ready, Cool | 
| 45 | |
| 46 | 10 | 
| 47 | 00:00:53,180 --> 00:00:58,540 | 
| 48 | Cat, it's almost time for the Hollywood Parade! | 
| 49 | [Cool Cat] That's right! It is time to pick | 
| 50 | |
| 51 | 11 | 
| 52 | 00:00:58,560 --> 00:01:07,280 | 
| 53 | up the Cool Cat convertible! Yeeeyyeyeyeeeeyay! | 
| 54 | [Derek] Have fun, son, all right! | 
| 55 | |
| 56 | 
                    
                        
                        quickie-mad-max-fury-road.srt
                        
                             · 9.7 KiB · Text
                        
                    
                    
                      
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            1
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[YMS] So I just saw Mad Max: Fury Road and
it was a lot of fun. If I were rating this
2
00:00:04,910 --> 00:00:09,090
movie based on how much fun I had I'd be giving
it a nine out of ten. But alas, I rate movies
3
00:00:09,090 --> 00:00:12,889
based on what I feel the quality of the film
is, so no I'm not docking points because I
4
00:00:12,889 --> 00:00:16,880
had fun watching it, I just genuinely feel
as though the movie's a fun seven out of ten.
5
00:00:16,880 --> 00:00:20,700
There were a lot of aspects of the film that
were genuinely impressive, the cinematography
6
00:00:20,700 --> 00:00:25,480
was pretty great, the computer generated imagery
was used sparingly, there were some parts
7
00:00:25,480 --> 00:00:29,320
that didn't feel visually quite real but for
the most part it wasn't enough to take anybody
8
00:00:29,320 --> 00:00:33,720
out of the movie, and most of all it was just
fucking fun! It was like if Death Race 3 wasn't
9
00:00:33,720 --> 00:00:36,880
a massive piece of shit. I'm not going to
complain that there wasn't really much to
10
00:00:36,880 --> 00:00:40,840
the story, because anybody can tell that the
movie wasn't really trying to be heavily story
11
00:00:40,840 --> 00:00:45,110
driven. In all honesty if a movie is going
for the cool and fun factor I'd rather have
12
00:00:45,110 --> 00:00:48,620
it be like this one where it doesn't spend
an eternity dicking around in between the
13
00:00:48,620 --> 00:00:53,120
cool and fun scenes. In Mad Max: Fury Road
the story was just enough so that the cool
14
00:00:53,120 --> 00:00:57,810
and fun scenes didn't feel stupid and pointless.
I like how over-the-top and ridiculous it
15
00:00:57,810 --> 00:01:01,530
was and I wouldn't want the movie to be any
other way. In fact I hope the next movie goes
16
00:01:01,530 --> 00:01:05,500
even further. Believe it or not I was reminded
of Army of Darkness during the fight scene
17
00:01:05,500 --> 00:01:08,780
with the chain and the struggle for the gun.
There are a few things that irked me about
18
00:01:08,780 --> 00:01:12,120
the presentation of the movie but they were
fairly minimal. There were a few of those
19
00:01:12,120 --> 00:01:15,900
family flashback hallucination shots that
were a little cheesy, and yeah I know we're
20
00:01:15,900 --> 00:01:18,790
talking about the same movie where there's
a dude on top of the car playing electric
21
00:01:18,790 --> 00:01:22,620
guitar riding to his fucking death, but I
think it's important to differentiate between
22
00:01:22,620 --> 00:01:26,520
cheese during something fun and cool, and
cheese during something that's supposed to
23
00:01:26,520 --> 00:01:30,310
be dramatic and serious; as someone that does
a lot of editing there were a few things that
24
00:01:30,310 --> 00:01:33,979
were distracting and took me out of the film
for a bit. When slow footage is sped up to
25
00:01:33,979 --> 00:01:38,409
make it look fast some people just see slow
footage sped up to make it look fast. Trust
26
00:01:38,409 --> 00:01:42,610
me it happens more times in this movie than
you think. During some of the dialogue, characters
27
00:01:42,610 --> 00:01:46,630
were basically whispering to each other, but
they're inside a giant moving vehicle, and
28
00:01:46,630 --> 00:01:50,500
there's no shortage of earblasting engine
sounds during scenes where we see the exterior
29
00:01:50,500 --> 00:01:54,310
of the vehicles, but during the serious talk
time in the vehicles the volume of the engine
30
00:01:54,310 --> 00:01:57,970
is turned down so low in post that literally
that's all I can think about anymore:
31
00:01:57,970 --> 00:02:03,049
[Clip] I was born there.
[Clip] Why'd you leave?
32
00:02:03,049 --> 00:02:15,680
[Clip] I didn't. I was taken as a child. Stolen.
[YMS] It doesn't destroy the movie, all I'm
33
00:02:15,680 --> 00:02:20,069
saying is that when something's in the environment
that's so unironically unnatural, it is a
34
00:02:20,069 --> 00:02:23,799
little distracting. And keeping consistant
with what I said earlier, remember that these
35
00:02:23,799 --> 00:02:28,169
serious talk scenes are supposed to be serious,
meaning that distractions like those wouldn't
36
00:02:28,169 --> 00:02:32,480
be as much of an issue if they were during
the cool and fun scenes. I had the exact same
37
00:02:32,480 --> 00:02:36,260
issue in any movie where the characters are
in a supposedly loud club but they don't have
38
00:02:36,260 --> 00:02:40,129
to talk over the music. The worst example
I can think of would be from an indie movie
39
00:02:40,129 --> 00:02:43,729
called A Midsummer Night's Rave:
[Clip] I know how thirsty aspiring DJ's can
40
00:02:43,760 --> 00:02:52,760
get.
[Clip] Thank you [inaudible]
41
00:02:54,660 --> 00:02:58,359
[YMS] The best example I could think of would
be from David Fincher's The Social Network:
42
00:02:58,359 --> 00:03:00,169
[Clip] You ever think about that girl?
[Clip] What girl?
43
00:03:00,169 --> 00:03:05,480
[Clip] The girl from high school who was with
the lacrosse thing.
44
00:03:05,480 --> 00:03:08,749
[Clip] No.
[YMS] When a director has that much forethought to
45
00:03:08,749 --> 00:03:14,109
get the actors to shout in a silent room before the audio
is added in in post production, it impresses
46
00:03:14,109 --> 00:03:18,069
me enough to be giving the movie extra points.
And remember that a perfect ten rating is
47
00:03:18,069 --> 00:03:22,400
not a default that only goes lower if you
find issues with the movie, a default rating
48
00:03:22,400 --> 00:03:26,849
for me is five out of ten and then any achievements
that a film has to offer bring it higher.
49
00:03:26,849 --> 00:03:30,609
And I've gotta say I was impressed by what
the film had to offer. Having seen the first
50
00:03:30,609 --> 00:03:35,510
two Mad Max a long time ago, this one was
a lot more entertaining. If there's one thing
51
00:03:35,510 --> 00:03:39,519
I remember about those older ones, it's that
they had a much slower pace. That and the
52
00:03:39,519 --> 00:03:44,430
villains were comically homosexual. Should
society get enraged over the sexual orientation
53
00:03:44,430 --> 00:03:48,970
or gender of the villains or heroes? No. I
honestly wish I could have watched Mad Max:
54
00:03:48,980 --> 00:03:53,370
Fury Road without all of those clickbait websites
making a big fuss over the character's genders,
55
00:03:53,370 --> 00:03:57,109
because to me this movie had nothing to do
with gender issues at all. You could have
56
00:03:57,109 --> 00:04:00,969
swapped the genders of literally every character
except the pregnant one and I wouldn't have
57
00:04:00,969 --> 00:04:05,319
felt any different about the movie. Having
a specific gender or sexual orientation being
58
00:04:05,319 --> 00:04:09,109
portrayed in a positive or negative light
in a film might affect me more if it was,
59
00:04:09,109 --> 00:04:13,719
hm, I don't know, not set in a post-apocalyptic
fantasy world where everyone including the
60
00:04:13,719 --> 00:04:18,500
main character has lost their fucking minds?
A group of men or a group of women or a group
61
00:04:18,500 --> 00:04:22,820
of gay people should not be taken as an accurate
reflection of society. They're just these
62
00:04:22,820 --> 00:04:27,330
things called "characters", and while it is
possible that George Miller wrote this screenplay
63
00:04:27,330 --> 00:04:31,730
with the explicit intent of painting certain
genders in certain lights, at no point did
64
00:04:31,730 --> 00:04:35,690
it feel forced and out of place. Why don't
we just view people as human beings again?
65
00:04:35,690 --> 00:04:39,280
Oh right, it's because anger sells and the
one way to get everybody arguing at each other
66
00:04:39,280 --> 00:04:43,530
over something is to turn it into a gender
issue, I forgot. And yes the clickbait websites
67
00:04:43,530 --> 00:04:47,430
are just as guilty as the idiot they were
quoting, who by the way never actually saw
68
00:04:47,430 --> 00:04:51,650
the movie before writing it. You realise you
can find people saying stupid shit about anything
69
00:04:51,650 --> 00:04:55,340
on the Internet, and that by putting them
on a pedestal you're essentially generating
70
00:04:55,340 --> 00:04:59,410
the controversy yourselves? Doesn't matter,
money. Gender debates are the new big thing
71
00:04:59,410 --> 00:05:02,970
right now, so we'll jump on literally any
opportunity to get you fired up about them
72
00:05:02,970 --> 00:05:06,990
so you'll share the link and give us money.
When I have criticisms to make about a film,
73
00:05:06,990 --> 00:05:11,650
I try to keep my criticisms in line with filmmaking
and presentation. Have we forgotten how to
74
00:05:11,650 --> 00:05:15,400
do that? Anyway, forgive me for making that
last part of my review moreso a review on
75
00:05:15,400 --> 00:05:19,690
other peoples' reviews; overall I really liked
Mad Max. I think that seven out of ten is
76
00:05:19,690 --> 00:05:23,670
a reasonable rating to give it. Who knows,
I might even bump it up to an eight the next
77
00:05:23,670 --> 00:05:27,320
time I see it. If you watched the trailer
and think that looks like a lot of fun, then you'll
78
00:05:27,320 --> 00:05:31,630
probably have a lot of fun. It was a lot of
fun. It was like an amusement park ride. It
79
00:05:31,630 --> 00:05:37,460
was like riding the fun coaster in fun land.
It was a hot fun sundae. Fun fun, fun fun
80
00:05:37,460 --> 00:05:44,670
fun fun fun. It was fun. Mad Max: Fun Road:
fun out of ten. Fun fun fun, fun fun! Fun
81
00:05:44,670 --> 00:05:51,710
fun fun fun fun. Fun! Fun! Fun! Fun! Fun!
Fun! Fun! Fun! Fun!
82
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Subtitles by Steven Smith (blha303/suudo)
83
00:06:06,080 --> 00:06:08,000
mark ;_;
84
00:06:08,000 --> 00:06:08,500
wtf laugh
                | 1 | 1 | 
| 2 | 00:00:00,789 --> 00:00:04,910 | 
| 3 | [YMS] So I just saw Mad Max: Fury Road and | 
| 4 | it was a lot of fun. If I were rating this | 
| 5 | |
| 6 | 2 | 
| 7 | 00:00:04,910 --> 00:00:09,090 | 
| 8 | movie based on how much fun I had I'd be giving | 
| 9 | it a nine out of ten. But alas, I rate movies | 
| 10 | |
| 11 | 3 | 
| 12 | 00:00:09,090 --> 00:00:12,889 | 
| 13 | based on what I feel the quality of the film | 
| 14 | is, so no I'm not docking points because I | 
| 15 | |
| 16 | 4 | 
| 17 | 00:00:12,889 --> 00:00:16,880 | 
| 18 | had fun watching it, I just genuinely feel | 
| 19 | as though the movie's a fun seven out of ten. | 
| 20 | |
| 21 | 5 | 
| 22 | 00:00:16,880 --> 00:00:20,700 | 
| 23 | There were a lot of aspects of the film that | 
| 24 | were genuinely impressive, the cinematography | 
| 25 | |
| 26 | 6 | 
| 27 | 00:00:20,700 --> 00:00:25,480 | 
| 28 | was pretty great, the computer generated imagery | 
| 29 | was used sparingly, there were some parts | 
| 30 | |
| 31 | 7 | 
| 32 | 00:00:25,480 --> 00:00:29,320 | 
| 33 | that didn't feel visually quite real but for | 
| 34 | the most part it wasn't enough to take anybody | 
| 35 | |
| 36 | 8 | 
| 37 | 00:00:29,320 --> 00:00:33,720 | 
| 38 | out of the movie, and most of all it was just | 
| 39 | fucking fun! It was like if Death Race 3 wasn't | 
| 40 | |
| 41 | 9 | 
| 42 | 00:00:33,720 --> 00:00:36,880 | 
| 43 | a massive piece of shit. I'm not going to | 
| 44 | complain that there wasn't really much to | 
| 45 | |
| 46 | 10 | 
| 47 | 00:00:36,880 --> 00:00:40,840 | 
| 48 | the story, because anybody can tell that the | 
| 49 | movie wasn't really trying to be heavily story | 
| 50 | |
| 51 | 11 | 
| 52 | 00:00:40,840 --> 00:00:45,110 | 
| 53 | driven. In all honesty if a movie is going | 
| 54 | for the cool and fun factor I'd rather have | 
| 55 | |
| 56 | 12 | 
| 57 | 00:00:45,110 --> 00:00:48,620 | 
| 58 | it be like this one where it doesn't spend | 
| 59 | an eternity dicking around in between the | 
| 60 | |
| 61 | 13 | 
| 62 | 00:00:48,620 --> 00:00:53,120 | 
| 63 | cool and fun scenes. In Mad Max: Fury Road | 
| 64 | the story was just enough so that the cool | 
| 65 | |
| 66 | 14 | 
| 67 | 00:00:53,120 --> 00:00:57,810 | 
| 68 | and fun scenes didn't feel stupid and pointless. | 
| 69 | I like how over-the-top and ridiculous it | 
| 70 | |
| 71 | 15 | 
| 72 | 00:00:57,810 --> 00:01:01,530 | 
| 73 | was and I wouldn't want the movie to be any | 
| 74 | other way. In fact I hope the next movie goes | 
| 75 | |
| 76 | 16 | 
| 77 | 00:01:01,530 --> 00:01:05,500 | 
| 78 | even further. Believe it or not I was reminded | 
| 79 | of Army of Darkness during the fight scene | 
| 80 | |
| 81 | 17 | 
| 82 | 00:01:05,500 --> 00:01:08,780 | 
| 83 | with the chain and the struggle for the gun. | 
| 84 | There are a few things that irked me about | 
| 85 | |
| 86 | 18 | 
| 87 | 00:01:08,780 --> 00:01:12,120 | 
| 88 | the presentation of the movie but they were | 
| 89 | fairly minimal. There were a few of those | 
| 90 | |
| 91 | 19 | 
| 92 | 00:01:12,120 --> 00:01:15,900 | 
| 93 | family flashback hallucination shots that | 
| 94 | were a little cheesy, and yeah I know we're | 
| 95 | |
| 96 | 20 | 
| 97 | 00:01:15,900 --> 00:01:18,790 | 
| 98 | talking about the same movie where there's | 
| 99 | a dude on top of the car playing electric | 
| 100 | |
| 101 | 21 | 
| 102 | 00:01:18,790 --> 00:01:22,620 | 
| 103 | guitar riding to his fucking death, but I | 
| 104 | think it's important to differentiate between | 
| 105 | |
| 106 | 22 | 
| 107 | 00:01:22,620 --> 00:01:26,520 | 
| 108 | cheese during something fun and cool, and | 
| 109 | cheese during something that's supposed to | 
| 110 | |
| 111 | 23 | 
| 112 | 00:01:26,520 --> 00:01:30,310 | 
| 113 | be dramatic and serious; as someone that does | 
| 114 | a lot of editing there were a few things that | 
| 115 | |
| 116 | 24 | 
| 117 | 00:01:30,310 --> 00:01:33,979 | 
| 118 | were distracting and took me out of the film | 
| 119 | for a bit. When slow footage is sped up to | 
| 120 | |
| 121 | 25 | 
| 122 | 00:01:33,979 --> 00:01:38,409 | 
| 123 | make it look fast some people just see slow | 
| 124 | footage sped up to make it look fast. Trust | 
| 125 | |
| 126 | 26 | 
| 127 | 00:01:38,409 --> 00:01:42,610 | 
| 128 | me it happens more times in this movie than | 
| 129 | you think. During some of the dialogue, characters | 
| 130 | |
| 131 | 27 | 
| 132 | 00:01:42,610 --> 00:01:46,630 | 
| 133 | were basically whispering to each other, but | 
| 134 | they're inside a giant moving vehicle, and | 
| 135 | |
| 136 | 28 | 
| 137 | 00:01:46,630 --> 00:01:50,500 | 
| 138 | there's no shortage of earblasting engine | 
| 139 | sounds during scenes where we see the exterior | 
| 140 | |
| 141 | 29 | 
| 142 | 00:01:50,500 --> 00:01:54,310 | 
| 143 | of the vehicles, but during the serious talk | 
| 144 | time in the vehicles the volume of the engine | 
| 145 | |
| 146 | 30 | 
| 147 | 00:01:54,310 --> 00:01:57,970 | 
| 148 | is turned down so low in post that literally | 
| 149 | that's all I can think about anymore: | 
| 150 | |
| 151 | 31 | 
| 152 | 00:01:57,970 --> 00:02:03,049 | 
| 153 | [Clip] I was born there. | 
| 154 | [Clip] Why'd you leave? | 
| 155 | |
| 156 | 32 | 
| 157 | 00:02:03,049 --> 00:02:15,680 | 
| 158 | [Clip] I didn't. I was taken as a child. Stolen. | 
| 159 | [YMS] It doesn't destroy the movie, all I'm | 
| 160 | |
| 161 | 33 | 
| 162 | 00:02:15,680 --> 00:02:20,069 | 
| 163 | saying is that when something's in the environment | 
| 164 | that's so unironically unnatural, it is a | 
| 165 | |
| 166 | 34 | 
| 167 | 00:02:20,069 --> 00:02:23,799 | 
| 168 | little distracting. And keeping consistant | 
| 169 | with what I said earlier, remember that these | 
| 170 | |
| 171 | 35 | 
| 172 | 00:02:23,799 --> 00:02:28,169 | 
| 173 | serious talk scenes are supposed to be serious, | 
| 174 | meaning that distractions like those wouldn't | 
| 175 | |
| 176 | 36 | 
| 177 | 00:02:28,169 --> 00:02:32,480 | 
| 178 | be as much of an issue if they were during | 
| 179 | the cool and fun scenes. I had the exact same | 
| 180 | |
| 181 | 37 | 
| 182 | 00:02:32,480 --> 00:02:36,260 | 
| 183 | issue in any movie where the characters are | 
| 184 | in a supposedly loud club but they don't have | 
| 185 | |
| 186 | 38 | 
| 187 | 00:02:36,260 --> 00:02:40,129 | 
| 188 | to talk over the music. The worst example | 
| 189 | I can think of would be from an indie movie | 
| 190 | |
| 191 | 39 | 
| 192 | 00:02:40,129 --> 00:02:43,729 | 
| 193 | called A Midsummer Night's Rave: | 
| 194 | [Clip] I know how thirsty aspiring DJ's can | 
| 195 | |
| 196 | 40 | 
| 197 | 00:02:43,760 --> 00:02:52,760 | 
| 198 | get. | 
| 199 | [Clip] Thank you [inaudible] | 
| 200 | |
| 201 | 41 | 
| 202 | 00:02:54,660 --> 00:02:58,359 | 
| 203 | [YMS] The best example I could think of would | 
| 204 | be from David Fincher's The Social Network: | 
| 205 | |
| 206 | 42 | 
| 207 | 00:02:58,359 --> 00:03:00,169 | 
| 208 | [Clip] You ever think about that girl? | 
| 209 | [Clip] What girl? | 
| 210 | |
| 211 | 43 | 
| 212 | 00:03:00,169 --> 00:03:05,480 | 
| 213 | [Clip] The girl from high school who was with | 
| 214 | the lacrosse thing. | 
| 215 | |
| 216 | 44 | 
| 217 | 00:03:05,480 --> 00:03:08,749 | 
| 218 | [Clip] No. | 
| 219 | [YMS] When a director has that much forethought to | 
| 220 | |
| 221 | 45 | 
| 222 | 00:03:08,749 --> 00:03:14,109 | 
| 223 | get the actors to shout in a silent room before the audio | 
| 224 | is added in in post production, it impresses | 
| 225 | |
| 226 | 46 | 
| 227 | 00:03:14,109 --> 00:03:18,069 | 
| 228 | me enough to be giving the movie extra points. | 
| 229 | And remember that a perfect ten rating is | 
| 230 | |
| 231 | 47 | 
| 232 | 00:03:18,069 --> 00:03:22,400 | 
| 233 | not a default that only goes lower if you | 
| 234 | find issues with the movie, a default rating | 
| 235 | |
| 236 | 48 | 
| 237 | 00:03:22,400 --> 00:03:26,849 | 
| 238 | for me is five out of ten and then any achievements | 
| 239 | that a film has to offer bring it higher. | 
| 240 | |
| 241 | 49 | 
| 242 | 00:03:26,849 --> 00:03:30,609 | 
| 243 | And I've gotta say I was impressed by what | 
| 244 | the film had to offer. Having seen the first | 
| 245 | |
| 246 | 50 | 
| 247 | 00:03:30,609 --> 00:03:35,510 | 
| 248 | two Mad Max a long time ago, this one was | 
| 249 | a lot more entertaining. If there's one thing | 
| 250 | |
| 251 | 51 | 
| 252 | 00:03:35,510 --> 00:03:39,519 | 
| 253 | I remember about those older ones, it's that | 
| 254 | they had a much slower pace. That and the | 
| 255 | |
| 256 | 52 | 
| 257 | 00:03:39,519 --> 00:03:44,430 | 
| 258 | villains were comically homosexual. Should | 
| 259 | society get enraged over the sexual orientation | 
| 260 | |
| 261 | 53 | 
| 262 | 00:03:44,430 --> 00:03:48,970 | 
| 263 | or gender of the villains or heroes? No. I | 
| 264 | honestly wish I could have watched Mad Max: | 
| 265 | |
| 266 | 54 | 
| 267 | 00:03:48,980 --> 00:03:53,370 | 
| 268 | Fury Road without all of those clickbait websites | 
| 269 | making a big fuss over the character's genders, | 
| 270 | |
| 271 | 55 | 
| 272 | 00:03:53,370 --> 00:03:57,109 | 
| 273 | because to me this movie had nothing to do | 
| 274 | with gender issues at all. You could have | 
| 275 | |
| 276 | 56 | 
| 277 | 00:03:57,109 --> 00:04:00,969 | 
| 278 | swapped the genders of literally every character | 
| 279 | except the pregnant one and I wouldn't have | 
| 280 | |
| 281 | 57 | 
| 282 | 00:04:00,969 --> 00:04:05,319 | 
| 283 | felt any different about the movie. Having | 
| 284 | a specific gender or sexual orientation being | 
| 285 | |
| 286 | 58 | 
| 287 | 00:04:05,319 --> 00:04:09,109 | 
| 288 | portrayed in a positive or negative light | 
| 289 | in a film might affect me more if it was, | 
| 290 | |
| 291 | 59 | 
| 292 | 00:04:09,109 --> 00:04:13,719 | 
| 293 | hm, I don't know, not set in a post-apocalyptic | 
| 294 | fantasy world where everyone including the | 
| 295 | |
| 296 | 60 | 
| 297 | 00:04:13,719 --> 00:04:18,500 | 
| 298 | main character has lost their fucking minds? | 
| 299 | A group of men or a group of women or a group | 
| 300 | |
| 301 | 61 | 
| 302 | 00:04:18,500 --> 00:04:22,820 | 
| 303 | of gay people should not be taken as an accurate | 
| 304 | reflection of society. They're just these | 
| 305 | |
| 306 | 62 | 
| 307 | 00:04:22,820 --> 00:04:27,330 | 
| 308 | things called "characters", and while it is | 
| 309 | possible that George Miller wrote this screenplay | 
| 310 | |
| 311 | 63 | 
| 312 | 00:04:27,330 --> 00:04:31,730 | 
| 313 | with the explicit intent of painting certain | 
| 314 | genders in certain lights, at no point did | 
| 315 | |
| 316 | 64 | 
| 317 | 00:04:31,730 --> 00:04:35,690 | 
| 318 | it feel forced and out of place. Why don't | 
| 319 | we just view people as human beings again? | 
| 320 | |
| 321 | 65 | 
| 322 | 00:04:35,690 --> 00:04:39,280 | 
| 323 | Oh right, it's because anger sells and the | 
| 324 | one way to get everybody arguing at each other | 
| 325 | |
| 326 | 66 | 
| 327 | 00:04:39,280 --> 00:04:43,530 | 
| 328 | over something is to turn it into a gender | 
| 329 | issue, I forgot. And yes the clickbait websites | 
| 330 | |
| 331 | 67 | 
| 332 | 00:04:43,530 --> 00:04:47,430 | 
| 333 | are just as guilty as the idiot they were | 
| 334 | quoting, who by the way never actually saw | 
| 335 | |
| 336 | 68 | 
| 337 | 00:04:47,430 --> 00:04:51,650 | 
| 338 | the movie before writing it. You realise you | 
| 339 | can find people saying stupid shit about anything | 
| 340 | |
| 341 | 69 | 
| 342 | 00:04:51,650 --> 00:04:55,340 | 
| 343 | on the Internet, and that by putting them | 
| 344 | on a pedestal you're essentially generating | 
| 345 | |
| 346 | 70 | 
| 347 | 00:04:55,340 --> 00:04:59,410 | 
| 348 | the controversy yourselves? Doesn't matter, | 
| 349 | money. Gender debates are the new big thing | 
| 350 | |
| 351 | 71 | 
| 352 | 00:04:59,410 --> 00:05:02,970 | 
| 353 | right now, so we'll jump on literally any | 
| 354 | opportunity to get you fired up about them | 
| 355 | |
| 356 | 72 | 
| 357 | 00:05:02,970 --> 00:05:06,990 | 
| 358 | so you'll share the link and give us money. | 
| 359 | When I have criticisms to make about a film, | 
| 360 | |
| 361 | 73 | 
| 362 | 00:05:06,990 --> 00:05:11,650 | 
| 363 | I try to keep my criticisms in line with filmmaking | 
| 364 | and presentation. Have we forgotten how to | 
| 365 | |
| 366 | 74 | 
| 367 | 00:05:11,650 --> 00:05:15,400 | 
| 368 | do that? Anyway, forgive me for making that | 
| 369 | last part of my review moreso a review on | 
| 370 | |
| 371 | 75 | 
| 372 | 00:05:15,400 --> 00:05:19,690 | 
| 373 | other peoples' reviews; overall I really liked | 
| 374 | Mad Max. I think that seven out of ten is | 
| 375 | |
| 376 | 76 | 
| 377 | 00:05:19,690 --> 00:05:23,670 | 
| 378 | a reasonable rating to give it. Who knows, | 
| 379 | I might even bump it up to an eight the next | 
| 380 | |
| 381 | 77 | 
| 382 | 00:05:23,670 --> 00:05:27,320 | 
| 383 | time I see it. If you watched the trailer | 
| 384 | and think that looks like a lot of fun, then you'll | 
| 385 | |
| 386 | 78 | 
| 387 | 00:05:27,320 --> 00:05:31,630 | 
| 388 | probably have a lot of fun. It was a lot of | 
| 389 | fun. It was like an amusement park ride. It | 
| 390 | |
| 391 | 79 | 
| 392 | 00:05:31,630 --> 00:05:37,460 | 
| 393 | was like riding the fun coaster in fun land. | 
| 394 | It was a hot fun sundae. Fun fun, fun fun | 
| 395 | |
| 396 | 80 | 
| 397 | 00:05:37,460 --> 00:05:44,670 | 
| 398 | fun fun fun. It was fun. Mad Max: Fun Road: | 
| 399 | fun out of ten. Fun fun fun, fun fun! Fun | 
| 400 | |
| 401 | 81 | 
| 402 | 00:05:44,670 --> 00:05:51,710 | 
| 403 | fun fun fun fun. Fun! Fun! Fun! Fun! Fun! | 
| 404 | Fun! Fun! Fun! Fun! | 
| 405 | |
| 406 | 82 | 
| 407 | 00:05:51,710 --> 00:05:59,230 | 
| 408 | Subtitles by Steven Smith (blha303/suudo) | 
| 409 | |
| 410 | 83 | 
| 411 | 00:06:06,080 --> 00:06:08,000 | 
| 412 | mark ;_; | 
| 413 | |
| 414 | 84 | 
| 415 | 00:06:08,000 --> 00:06:08,500 | 
| 416 | wtf laugh | 
| 417 | |
| 418 | 
                    
                        
                        quickie-noah.srt
                        
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            1
00:00:00,789 --> 00:00:04,170
[YMS] Okay, fun's over. So if you're one of those
people like me who saw the trailer and thought
2
00:00:04,170 --> 00:00:07,500
"Hm, that's weird, it kinda looks like a piece
of shit" but still wanted to see the movie
3
00:00:07,500 --> 00:00:11,280
just because it's Darren Aronofsky, all the
while hoping the trailer was just a way to
4
00:00:11,280 --> 00:00:14,589
trick the religious crowd into seeing the
movie, and that secretly there was a movie
5
00:00:14,589 --> 00:00:18,149
worth watching that wasn't the same garbage
you've already seen a million times before,
6
00:00:18,149 --> 00:00:21,970
well, wonder no more because the movie was
slightly worse than the trailer. I mean, you're
7
00:00:21,970 --> 00:00:25,980
already working with a flawed story to begin
with; what happened to the kangaroos? Where
8
00:00:25,980 --> 00:00:30,660
do black people come from? And despite them
making a lot of changes to the original story,
9
00:00:30,660 --> 00:00:35,120
it didn't really do them any good. Like, why
is the grandfather a wizard? Anthony Hopkins
10
00:00:35,120 --> 00:00:38,960
had magical powers and I had first assumed
that they were kinda like God powers, like
11
00:00:38,960 --> 00:00:43,290
God loves him so much that every time he really
wants to do something God's just allowing
12
00:00:43,290 --> 00:00:46,740
it and just doing a little magic trick for
him. At one point he puts a child to sleep
13
00:00:46,740 --> 00:00:51,070
by blowing on his face, possibly the funniest
point in the whole movie, then later he touches
14
00:00:51,070 --> 00:00:55,670
Emma Watson's previously infertile belly,
making her instantly able to have children
15
00:00:55,670 --> 00:00:59,430
and also extremely horny. Like she was in
the middle of looking for somebody but she
16
00:00:59,430 --> 00:01:03,350
completely fucking dropped that and decided
to have sex with her boyfriend, and then later
17
00:01:03,350 --> 00:01:08,080
in the movie when Noah finds out he gets super
fucking pissed. No, not because they had sex,
18
00:01:08,080 --> 00:01:12,970
but because she is no longer infertile. He's
like "God made you infertile, so now that
19
00:01:12,970 --> 00:01:16,530
you're fertile, then you're going against
God." I don't really feel bad about spoiling
20
00:01:16,530 --> 00:01:20,400
this movie cos it's a giant piece of shit,
but here's my spoiler alert anyway. Giving
21
00:01:20,400 --> 00:01:25,360
you like two more seconds, go, God. He gets
so pissed off that she's having children that
22
00:01:25,360 --> 00:01:30,240
he vows to murder the child as soon as it's
born, but only if it's a girl, and they really
23
00:01:30,240 --> 00:01:34,380
really did not do a good job of explaining
why that's the case. "You're going against
24
00:01:34,380 --> 00:01:38,750
God by having children because you were previously
infertile, now I gotta murder your child,
25
00:01:38,750 --> 00:01:42,380
but if it's a boy I don't really care." So
does that mean the grandfather's a wizard
26
00:01:42,380 --> 00:01:46,280
whose magic operates completely independent
of God? Because there's no way that he could
27
00:01:46,280 --> 00:01:50,290
possibly believe that it was against God's
will if God was the one doing the magic from
28
00:01:50,290 --> 00:01:55,220
grandfather anyway. This movie does not make
any fucking sense. There were a couple things
29
00:01:55,220 --> 00:01:59,630
that I did enjoy about the movie. There are
some really cool timelapse scenes that I enjoyed,
30
00:01:59,630 --> 00:02:03,560
and during one of them Clint Mansell did a
fantastic job with the score, but this movie
31
00:02:03,560 --> 00:02:08,030
has way too much weighing it down. Like, during
the last timelapse scene in the movie for
32
00:02:08,030 --> 00:02:13,049
whatever reason it decided to show evolution,
like it showed the typical fish-to-lizard-out-of-the-ocean
33
00:02:13,049 --> 00:02:16,450
etcetera, and then as soon as it hit primates
it just stopped. Like, sorry we're not allowed
34
00:02:16,450 --> 00:02:20,749
to show you any further. And that scene served
no purpose so I have no clue why he decided
35
00:02:20,749 --> 00:02:24,499
to put that in the movie, because aren't you
then alienating the people that might actually
36
00:02:24,499 --> 00:02:29,239
enjoy the movie? Like who the fuck is this
movie even for? They also included giant rock
37
00:02:29,239 --> 00:02:33,719
creatures that helped Noah build the ark.
Oookay. Most of the conflict in the movie
38
00:02:33,719 --> 00:02:38,459
was not only extremely forced but easily preventable.
Like all of a sudden somebody's angry and
39
00:02:38,459 --> 00:02:42,419
it's really difficult to understand why. Not
only that but the threat of the main villain
40
00:02:42,419 --> 00:02:47,150
and his army wouldn't even fucking exist if
Noah flat-out just didn't fucking tell him
41
00:02:47,150 --> 00:02:50,799
that the flood was going to happen. The guy
thought you were building a fortress and you
42
00:02:50,799 --> 00:02:54,639
told him "No, it's a boat, this is the flood
and I'm gonna be the one that lives and not
43
00:02:54,639 --> 00:02:58,049
you, nyah nyah." Hey Noah you fucking hypocrite,
what's that you're flipping your shit over,
44
00:02:58,049 --> 00:03:02,199
doing shit against God's will, oh my god,
God didn't intend that. So Emma Watson's not
45
00:03:02,199 --> 00:03:06,239
allowed to use the grandfather wizard powers
so she can become fertile and have children,
46
00:03:06,239 --> 00:03:09,489
and maybe y'know repopulate the entire fucking
planet through incest like you're supposed
47
00:03:09,489 --> 00:03:12,760
to, but you see no issue with warning the
head honcho of bad guys that there's going
48
00:03:12,760 --> 00:03:16,939
to be a fucking great flood? Did God tell you to do
that? Cos God had the opportunity to tell
49
00:03:16,939 --> 00:03:20,779
him too and you know what, he fucking didn't.
How the fuck did the bad guy get in the ship?
50
00:03:20,779 --> 00:03:24,439
Like there was just a quick shot of him falling
into it but I don't know where the fuck that
51
00:03:24,439 --> 00:03:29,219
was. So you've got Mr Stereotype Bad Guy on
the ship and Noah's son helps him survive,
52
00:03:29,219 --> 00:03:32,730
and they're still on the ship about nine months
later, because Emma Watson winds up giving
53
00:03:32,730 --> 00:03:36,839
birth on the ship before the end of it, and
holy shit she does not act like the baby weighs
54
00:03:36,839 --> 00:03:40,629
anything at all. Seriously it's like she had
a fucking balloon under her shirt. So the
55
00:03:40,629 --> 00:03:45,199
bad guy picks a really convenient day to strike,
they have a shitty close shot fight scene,
56
00:03:45,199 --> 00:03:49,120
and this whole time this guy's like "I'm not
afraid of miracles, haha, fuck you God," like
57
00:03:49,120 --> 00:03:53,189
clearly this guy does not understand how miracles
work; and wow, the boat conveniently crashes
58
00:03:53,189 --> 00:03:57,489
in a way that turns out to be in Noah's favour.
Thanks for the miracle, God. I mean it would
59
00:03:57,489 --> 00:04:01,180
have been extremely easy for him to die when
he was climbing into the boat in the first
60
00:04:01,180 --> 00:04:05,040
place, but let's just pretend that this God
character not only rigs the outcome, but is
61
00:04:05,040 --> 00:04:10,219
also extremely concerned about making a stereotypical
narrative. Like why would I kill him when
62
00:04:10,219 --> 00:04:13,919
it makes the most sense if they don't get
to have a fight scene by the end of it? There
63
00:04:13,919 --> 00:04:17,920
was nothing exceptional about this movie and
quite a lot of it was pretty fucking bad.
64
00:04:17,920 --> 00:04:22,110
Like holy shit those font choices were terrible.
It's like if someone did a low-budget parody
65
00:04:22,110 --> 00:04:26,710
of Lord of the Rings. All of the CG was pretty
fucking unconvincing; like yeah obviously
66
00:04:26,710 --> 00:04:30,650
all of the animals are going to be CG, but
why did you feel the need to computer animate
67
00:04:30,650 --> 00:04:35,010
the fucking baby? "Oh no, I feel so scared
for this computer animated baby right now."
68
00:04:35,010 --> 00:04:38,230
Literally he goes up to her to kill it and
then he's like "Changed my mind, it's cute."
69
00:04:38,230 --> 00:04:42,090
And then later Emma Watson's talking about
it nonchalantly like "You know what, God trusted
70
00:04:42,090 --> 00:04:46,350
you with the choice to do it, and it wasn't
something that he expected you to do, he just
71
00:04:46,350 --> 00:04:49,470
wanted you to make the choice." Well that's
a nice way to put it, maybe you should have
72
00:04:49,470 --> 00:04:53,560
had this conversation with him at some point
in the nine fucking months before your child
73
00:04:53,560 --> 00:04:57,610
was born. And there's a scene near the beginning
when Noah's talking to the rock dude, it keeps
74
00:04:57,610 --> 00:05:01,340
cutting back and forth from the rock dude's
face to Noah's, but every time it cuts back
75
00:05:01,340 --> 00:05:05,650
to Noah it's closer to his face, but instead
of putting the camera closer or even using
76
00:05:05,650 --> 00:05:09,830
the zoom on the lens, they decided to go the
easy way and just use fucking digital post
77
00:05:09,830 --> 00:05:13,590
production zoom. Like they seriously fucking
cropped it. And each time it cuts back to
78
00:05:13,590 --> 00:05:17,500
his face you see more and more pixels. Like
what the fuck, aren't you supposed to be a
79
00:05:17,500 --> 00:05:21,130
professional? Well it was at least exciting
to see the outcome of what this movie would
80
00:05:21,130 --> 00:05:24,860
be, but about five minutes into the movie
when I was absolutely sure, all of a sudden
81
00:05:24,860 --> 00:05:29,370
the idea of finishing the movie seemed like
kind of a chore, and a chore it was. Yes,
82
00:05:29,370 --> 00:05:33,130
parts of the movie were so bad that they were
hilarious, Anthony Hopkins putting that kid
83
00:05:33,130 --> 00:05:36,860
to sleep by blowing on his face will be funny
to me for quite some time, but it's just not
84
00:05:36,860 --> 00:05:40,580
worth it to sit through the whole movie just
to laugh at a couple points. The majority
85
00:05:40,580 --> 00:05:43,670
of the dialogue could have been replaced by
random gibberish and it would have had just
86
00:05:43,670 --> 00:05:47,970
as much purpose in the film. For whatever
reason Aronofsky just decided to make a really
87
00:05:47,970 --> 00:05:52,070
shitty movie, and sadly it's probably going
to be his most financially successful movie
88
00:05:52,070 --> 00:05:55,800
yet. Anyway, if you trust me on anything,
trust me when I say you do not need to see
89
00:05:55,800 --> 00:05:58,420
this movie. This one's getting a five out
of ten.
90
00:05:58,420 --> 00:06:13,340
Subtitles by Steven Smith (blha303/suudo)
                | 1 | 1 | 
| 2 | 00:00:00,789 --> 00:00:04,170 | 
| 3 | [YMS] Okay, fun's over. So if you're one of those | 
| 4 | people like me who saw the trailer and thought | 
| 5 | |
| 6 | 2 | 
| 7 | 00:00:04,170 --> 00:00:07,500 | 
| 8 | "Hm, that's weird, it kinda looks like a piece | 
| 9 | of shit" but still wanted to see the movie | 
| 10 | |
| 11 | 3 | 
| 12 | 00:00:07,500 --> 00:00:11,280 | 
| 13 | just because it's Darren Aronofsky, all the | 
| 14 | while hoping the trailer was just a way to | 
| 15 | |
| 16 | 4 | 
| 17 | 00:00:11,280 --> 00:00:14,589 | 
| 18 | trick the religious crowd into seeing the | 
| 19 | movie, and that secretly there was a movie | 
| 20 | |
| 21 | 5 | 
| 22 | 00:00:14,589 --> 00:00:18,149 | 
| 23 | worth watching that wasn't the same garbage | 
| 24 | you've already seen a million times before, | 
| 25 | |
| 26 | 6 | 
| 27 | 00:00:18,149 --> 00:00:21,970 | 
| 28 | well, wonder no more because the movie was | 
| 29 | slightly worse than the trailer. I mean, you're | 
| 30 | |
| 31 | 7 | 
| 32 | 00:00:21,970 --> 00:00:25,980 | 
| 33 | already working with a flawed story to begin | 
| 34 | with; what happened to the kangaroos? Where | 
| 35 | |
| 36 | 8 | 
| 37 | 00:00:25,980 --> 00:00:30,660 | 
| 38 | do black people come from? And despite them | 
| 39 | making a lot of changes to the original story, | 
| 40 | |
| 41 | 9 | 
| 42 | 00:00:30,660 --> 00:00:35,120 | 
| 43 | it didn't really do them any good. Like, why | 
| 44 | is the grandfather a wizard? Anthony Hopkins | 
| 45 | |
| 46 | 10 | 
| 47 | 00:00:35,120 --> 00:00:38,960 | 
| 48 | had magical powers and I had first assumed | 
| 49 | that they were kinda like God powers, like | 
| 50 | |
| 51 | 11 | 
| 52 | 00:00:38,960 --> 00:00:43,290 | 
| 53 | God loves him so much that every time he really | 
| 54 | wants to do something God's just allowing | 
| 55 | |
| 56 | 12 | 
| 57 | 00:00:43,290 --> 00:00:46,740 | 
| 58 | it and just doing a little magic trick for | 
| 59 | him. At one point he puts a child to sleep | 
| 60 | |
| 61 | 13 | 
| 62 | 00:00:46,740 --> 00:00:51,070 | 
| 63 | by blowing on his face, possibly the funniest | 
| 64 | point in the whole movie, then later he touches | 
| 65 | |
| 66 | 14 | 
| 67 | 00:00:51,070 --> 00:00:55,670 | 
| 68 | Emma Watson's previously infertile belly, | 
| 69 | making her instantly able to have children | 
| 70 | |
| 71 | 15 | 
| 72 | 00:00:55,670 --> 00:00:59,430 | 
| 73 | and also extremely horny. Like she was in | 
| 74 | the middle of looking for somebody but she | 
| 75 | |
| 76 | 16 | 
| 77 | 00:00:59,430 --> 00:01:03,350 | 
| 78 | completely fucking dropped that and decided | 
| 79 | to have sex with her boyfriend, and then later | 
| 80 | |
| 81 | 17 | 
| 82 | 00:01:03,350 --> 00:01:08,080 | 
| 83 | in the movie when Noah finds out he gets super | 
| 84 | fucking pissed. No, not because they had sex, | 
| 85 | |
| 86 | 18 | 
| 87 | 00:01:08,080 --> 00:01:12,970 | 
| 88 | but because she is no longer infertile. He's | 
| 89 | like "God made you infertile, so now that | 
| 90 | |
| 91 | 19 | 
| 92 | 00:01:12,970 --> 00:01:16,530 | 
| 93 | you're fertile, then you're going against | 
| 94 | God." I don't really feel bad about spoiling | 
| 95 | |
| 96 | 20 | 
| 97 | 00:01:16,530 --> 00:01:20,400 | 
| 98 | this movie cos it's a giant piece of shit, | 
| 99 | but here's my spoiler alert anyway. Giving | 
| 100 | |
| 101 | 21 | 
| 102 | 00:01:20,400 --> 00:01:25,360 | 
| 103 | you like two more seconds, go, God. He gets | 
| 104 | so pissed off that she's having children that | 
| 105 | |
| 106 | 22 | 
| 107 | 00:01:25,360 --> 00:01:30,240 | 
| 108 | he vows to murder the child as soon as it's | 
| 109 | born, but only if it's a girl, and they really | 
| 110 | |
| 111 | 23 | 
| 112 | 00:01:30,240 --> 00:01:34,380 | 
| 113 | really did not do a good job of explaining | 
| 114 | why that's the case. "You're going against | 
| 115 | |
| 116 | 24 | 
| 117 | 00:01:34,380 --> 00:01:38,750 | 
| 118 | God by having children because you were previously | 
| 119 | infertile, now I gotta murder your child, | 
| 120 | |
| 121 | 25 | 
| 122 | 00:01:38,750 --> 00:01:42,380 | 
| 123 | but if it's a boy I don't really care." So | 
| 124 | does that mean the grandfather's a wizard | 
| 125 | |
| 126 | 26 | 
| 127 | 00:01:42,380 --> 00:01:46,280 | 
| 128 | whose magic operates completely independent | 
| 129 | of God? Because there's no way that he could | 
| 130 | |
| 131 | 27 | 
| 132 | 00:01:46,280 --> 00:01:50,290 | 
| 133 | possibly believe that it was against God's | 
| 134 | will if God was the one doing the magic from | 
| 135 | |
| 136 | 28 | 
| 137 | 00:01:50,290 --> 00:01:55,220 | 
| 138 | grandfather anyway. This movie does not make | 
| 139 | any fucking sense. There were a couple things | 
| 140 | |
| 141 | 29 | 
| 142 | 00:01:55,220 --> 00:01:59,630 | 
| 143 | that I did enjoy about the movie. There are | 
| 144 | some really cool timelapse scenes that I enjoyed, | 
| 145 | |
| 146 | 30 | 
| 147 | 00:01:59,630 --> 00:02:03,560 | 
| 148 | and during one of them Clint Mansell did a | 
| 149 | fantastic job with the score, but this movie | 
| 150 | |
| 151 | 31 | 
| 152 | 00:02:03,560 --> 00:02:08,030 | 
| 153 | has way too much weighing it down. Like, during | 
| 154 | the last timelapse scene in the movie for | 
| 155 | |
| 156 | 32 | 
| 157 | 00:02:08,030 --> 00:02:13,049 | 
| 158 | whatever reason it decided to show evolution, | 
| 159 | like it showed the typical fish-to-lizard-out-of-the-ocean | 
| 160 | |
| 161 | 33 | 
| 162 | 00:02:13,049 --> 00:02:16,450 | 
| 163 | etcetera, and then as soon as it hit primates | 
| 164 | it just stopped. Like, sorry we're not allowed | 
| 165 | |
| 166 | 34 | 
| 167 | 00:02:16,450 --> 00:02:20,749 | 
| 168 | to show you any further. And that scene served | 
| 169 | no purpose so I have no clue why he decided | 
| 170 | |
| 171 | 35 | 
| 172 | 00:02:20,749 --> 00:02:24,499 | 
| 173 | to put that in the movie, because aren't you | 
| 174 | then alienating the people that might actually | 
| 175 | |
| 176 | 36 | 
| 177 | 00:02:24,499 --> 00:02:29,239 | 
| 178 | enjoy the movie? Like who the fuck is this | 
| 179 | movie even for? They also included giant rock | 
| 180 | |
| 181 | 37 | 
| 182 | 00:02:29,239 --> 00:02:33,719 | 
| 183 | creatures that helped Noah build the ark. | 
| 184 | Oookay. Most of the conflict in the movie | 
| 185 | |
| 186 | 38 | 
| 187 | 00:02:33,719 --> 00:02:38,459 | 
| 188 | was not only extremely forced but easily preventable. | 
| 189 | Like all of a sudden somebody's angry and | 
| 190 | |
| 191 | 39 | 
| 192 | 00:02:38,459 --> 00:02:42,419 | 
| 193 | it's really difficult to understand why. Not | 
| 194 | only that but the threat of the main villain | 
| 195 | |
| 196 | 40 | 
| 197 | 00:02:42,419 --> 00:02:47,150 | 
| 198 | and his army wouldn't even fucking exist if | 
| 199 | Noah flat-out just didn't fucking tell him | 
| 200 | |
| 201 | 41 | 
| 202 | 00:02:47,150 --> 00:02:50,799 | 
| 203 | that the flood was going to happen. The guy | 
| 204 | thought you were building a fortress and you | 
| 205 | |
| 206 | 42 | 
| 207 | 00:02:50,799 --> 00:02:54,639 | 
| 208 | told him "No, it's a boat, this is the flood | 
| 209 | and I'm gonna be the one that lives and not | 
| 210 | |
| 211 | 43 | 
| 212 | 00:02:54,639 --> 00:02:58,049 | 
| 213 | you, nyah nyah." Hey Noah you fucking hypocrite, | 
| 214 | what's that you're flipping your shit over, | 
| 215 | |
| 216 | 44 | 
| 217 | 00:02:58,049 --> 00:03:02,199 | 
| 218 | doing shit against God's will, oh my god, | 
| 219 | God didn't intend that. So Emma Watson's not | 
| 220 | |
| 221 | 45 | 
| 222 | 00:03:02,199 --> 00:03:06,239 | 
| 223 | allowed to use the grandfather wizard powers | 
| 224 | so she can become fertile and have children, | 
| 225 | |
| 226 | 46 | 
| 227 | 00:03:06,239 --> 00:03:09,489 | 
| 228 | and maybe y'know repopulate the entire fucking | 
| 229 | planet through incest like you're supposed | 
| 230 | |
| 231 | 47 | 
| 232 | 00:03:09,489 --> 00:03:12,760 | 
| 233 | to, but you see no issue with warning the | 
| 234 | head honcho of bad guys that there's going | 
| 235 | |
| 236 | 48 | 
| 237 | 00:03:12,760 --> 00:03:16,939 | 
| 238 | to be a fucking great flood? Did God tell you to do | 
| 239 | that? Cos God had the opportunity to tell | 
| 240 | |
| 241 | 49 | 
| 242 | 00:03:16,939 --> 00:03:20,779 | 
| 243 | him too and you know what, he fucking didn't. | 
| 244 | How the fuck did the bad guy get in the ship? | 
| 245 | |
| 246 | 50 | 
| 247 | 00:03:20,779 --> 00:03:24,439 | 
| 248 | Like there was just a quick shot of him falling | 
| 249 | into it but I don't know where the fuck that | 
| 250 | |
| 251 | 51 | 
| 252 | 00:03:24,439 --> 00:03:29,219 | 
| 253 | was. So you've got Mr Stereotype Bad Guy on | 
| 254 | the ship and Noah's son helps him survive, | 
| 255 | |
| 256 | 52 | 
| 257 | 00:03:29,219 --> 00:03:32,730 | 
| 258 | and they're still on the ship about nine months | 
| 259 | later, because Emma Watson winds up giving | 
| 260 | |
| 261 | 53 | 
| 262 | 00:03:32,730 --> 00:03:36,839 | 
| 263 | birth on the ship before the end of it, and | 
| 264 | holy shit she does not act like the baby weighs | 
| 265 | |
| 266 | 54 | 
| 267 | 00:03:36,839 --> 00:03:40,629 | 
| 268 | anything at all. Seriously it's like she had | 
| 269 | a fucking balloon under her shirt. So the | 
| 270 | |
| 271 | 55 | 
| 272 | 00:03:40,629 --> 00:03:45,199 | 
| 273 | bad guy picks a really convenient day to strike, | 
| 274 | they have a shitty close shot fight scene, | 
| 275 | |
| 276 | 56 | 
| 277 | 00:03:45,199 --> 00:03:49,120 | 
| 278 | and this whole time this guy's like "I'm not | 
| 279 | afraid of miracles, haha, fuck you God," like | 
| 280 | |
| 281 | 57 | 
| 282 | 00:03:49,120 --> 00:03:53,189 | 
| 283 | clearly this guy does not understand how miracles | 
| 284 | work; and wow, the boat conveniently crashes | 
| 285 | |
| 286 | 58 | 
| 287 | 00:03:53,189 --> 00:03:57,489 | 
| 288 | in a way that turns out to be in Noah's favour. | 
| 289 | Thanks for the miracle, God. I mean it would | 
| 290 | |
| 291 | 59 | 
| 292 | 00:03:57,489 --> 00:04:01,180 | 
| 293 | have been extremely easy for him to die when | 
| 294 | he was climbing into the boat in the first | 
| 295 | |
| 296 | 60 | 
| 297 | 00:04:01,180 --> 00:04:05,040 | 
| 298 | place, but let's just pretend that this God | 
| 299 | character not only rigs the outcome, but is | 
| 300 | |
| 301 | 61 | 
| 302 | 00:04:05,040 --> 00:04:10,219 | 
| 303 | also extremely concerned about making a stereotypical | 
| 304 | narrative. Like why would I kill him when | 
| 305 | |
| 306 | 62 | 
| 307 | 00:04:10,219 --> 00:04:13,919 | 
| 308 | it makes the most sense if they don't get | 
| 309 | to have a fight scene by the end of it? There | 
| 310 | |
| 311 | 63 | 
| 312 | 00:04:13,919 --> 00:04:17,920 | 
| 313 | was nothing exceptional about this movie and | 
| 314 | quite a lot of it was pretty fucking bad. | 
| 315 | |
| 316 | 64 | 
| 317 | 00:04:17,920 --> 00:04:22,110 | 
| 318 | Like holy shit those font choices were terrible. | 
| 319 | It's like if someone did a low-budget parody | 
| 320 | |
| 321 | 65 | 
| 322 | 00:04:22,110 --> 00:04:26,710 | 
| 323 | of Lord of the Rings. All of the CG was pretty | 
| 324 | fucking unconvincing; like yeah obviously | 
| 325 | |
| 326 | 66 | 
| 327 | 00:04:26,710 --> 00:04:30,650 | 
| 328 | all of the animals are going to be CG, but | 
| 329 | why did you feel the need to computer animate | 
| 330 | |
| 331 | 67 | 
| 332 | 00:04:30,650 --> 00:04:35,010 | 
| 333 | the fucking baby? "Oh no, I feel so scared | 
| 334 | for this computer animated baby right now." | 
| 335 | |
| 336 | 68 | 
| 337 | 00:04:35,010 --> 00:04:38,230 | 
| 338 | Literally he goes up to her to kill it and | 
| 339 | then he's like "Changed my mind, it's cute." | 
| 340 | |
| 341 | 69 | 
| 342 | 00:04:38,230 --> 00:04:42,090 | 
| 343 | And then later Emma Watson's talking about | 
| 344 | it nonchalantly like "You know what, God trusted | 
| 345 | |
| 346 | 70 | 
| 347 | 00:04:42,090 --> 00:04:46,350 | 
| 348 | you with the choice to do it, and it wasn't | 
| 349 | something that he expected you to do, he just | 
| 350 | |
| 351 | 71 | 
| 352 | 00:04:46,350 --> 00:04:49,470 | 
| 353 | wanted you to make the choice." Well that's | 
| 354 | a nice way to put it, maybe you should have | 
| 355 | |
| 356 | 72 | 
| 357 | 00:04:49,470 --> 00:04:53,560 | 
| 358 | had this conversation with him at some point | 
| 359 | in the nine fucking months before your child | 
| 360 | |
| 361 | 73 | 
| 362 | 00:04:53,560 --> 00:04:57,610 | 
| 363 | was born. And there's a scene near the beginning | 
| 364 | when Noah's talking to the rock dude, it keeps | 
| 365 | |
| 366 | 74 | 
| 367 | 00:04:57,610 --> 00:05:01,340 | 
| 368 | cutting back and forth from the rock dude's | 
| 369 | face to Noah's, but every time it cuts back | 
| 370 | |
| 371 | 75 | 
| 372 | 00:05:01,340 --> 00:05:05,650 | 
| 373 | to Noah it's closer to his face, but instead | 
| 374 | of putting the camera closer or even using | 
| 375 | |
| 376 | 76 | 
| 377 | 00:05:05,650 --> 00:05:09,830 | 
| 378 | the zoom on the lens, they decided to go the | 
| 379 | easy way and just use fucking digital post | 
| 380 | |
| 381 | 77 | 
| 382 | 00:05:09,830 --> 00:05:13,590 | 
| 383 | production zoom. Like they seriously fucking | 
| 384 | cropped it. And each time it cuts back to | 
| 385 | |
| 386 | 78 | 
| 387 | 00:05:13,590 --> 00:05:17,500 | 
| 388 | his face you see more and more pixels. Like | 
| 389 | what the fuck, aren't you supposed to be a | 
| 390 | |
| 391 | 79 | 
| 392 | 00:05:17,500 --> 00:05:21,130 | 
| 393 | professional? Well it was at least exciting | 
| 394 | to see the outcome of what this movie would | 
| 395 | |
| 396 | 80 | 
| 397 | 00:05:21,130 --> 00:05:24,860 | 
| 398 | be, but about five minutes into the movie | 
| 399 | when I was absolutely sure, all of a sudden | 
| 400 | |
| 401 | 81 | 
| 402 | 00:05:24,860 --> 00:05:29,370 | 
| 403 | the idea of finishing the movie seemed like | 
| 404 | kind of a chore, and a chore it was. Yes, | 
| 405 | |
| 406 | 82 | 
| 407 | 00:05:29,370 --> 00:05:33,130 | 
| 408 | parts of the movie were so bad that they were | 
| 409 | hilarious, Anthony Hopkins putting that kid | 
| 410 | |
| 411 | 83 | 
| 412 | 00:05:33,130 --> 00:05:36,860 | 
| 413 | to sleep by blowing on his face will be funny | 
| 414 | to me for quite some time, but it's just not | 
| 415 | |
| 416 | 84 | 
| 417 | 00:05:36,860 --> 00:05:40,580 | 
| 418 | worth it to sit through the whole movie just | 
| 419 | to laugh at a couple points. The majority | 
| 420 | |
| 421 | 85 | 
| 422 | 00:05:40,580 --> 00:05:43,670 | 
| 423 | of the dialogue could have been replaced by | 
| 424 | random gibberish and it would have had just | 
| 425 | |
| 426 | 86 | 
| 427 | 00:05:43,670 --> 00:05:47,970 | 
| 428 | as much purpose in the film. For whatever | 
| 429 | reason Aronofsky just decided to make a really | 
| 430 | |
| 431 | 87 | 
| 432 | 00:05:47,970 --> 00:05:52,070 | 
| 433 | shitty movie, and sadly it's probably going | 
| 434 | to be his most financially successful movie | 
| 435 | |
| 436 | 88 | 
| 437 | 00:05:52,070 --> 00:05:55,800 | 
| 438 | yet. Anyway, if you trust me on anything, | 
| 439 | trust me when I say you do not need to see | 
| 440 | |
| 441 | 89 | 
| 442 | 00:05:55,800 --> 00:05:58,420 | 
| 443 | this movie. This one's getting a five out | 
| 444 | of ten. | 
| 445 | |
| 446 | 90 | 
| 447 | 00:05:58,420 --> 00:06:13,340 | 
| 448 | Subtitles by Steven Smith (blha303/suudo) | 
| 449 | |
| 450 |